Newspapers are dead, except in the hearts of anyone who has ever loved them — which means there are still narrow slivers of hope. One of them now comes to us in the form of a movie: Tom McCarthy’s bold, shirtsleeve-sturdy newsroom drama Spotlight, which shows how a team of…
In its very first scene, Aziz Ansari’s new Netflix series, Master of None, presents something never before seen on TV: an Asian-American male romantic lead at the center of his own series. Granted, that scene is hardly sexy: A broken condom puts the brakes on a bar hook-up between Dev…
Arthur Muhammad got to make a movie about what happened to him in high school. Carter High is now playing in Texas theaters and will expand to screens in other cities over the next two weekends. The film tells the emotionally charged story of one of the greatest—and most infamous—high…
Calling everyone who has ever won a chili cook-off and made a joke while doing it! The Food Network is casting for season 12 of Food Network Star, a reality show that searches for a cook or chef or someone with even just a small pinch of personality, and then…
Yes, it’s 3-D computer animation, and yes, it shows us more of the face of Charlie Brown’s Little Red-Haired Girl than you ever thought you would see. But the news, for the most part, is good: The Peanuts Movie is much closer in spirit to Charles Schulz’s half-century comic-strip masterpiece…
First things first: Yes, Gaspar Noé’s arthouse sexbomb quite literally goes off in your face, with an ejaculation close-up 90 minutes in that might have you wiping off your 3-D glasses. You might think that’s an impressive provocation, until you recall that every twelve-year-old boy in America sees that same…
Political drama has long been shaped by what we can call the conversion narrative. In a play like One Third of a Nation, one of the Living Newspaper extravaganzas mounted with New Deal funding by the Federal Theatre Project, an everyman Joe you just gotta root for tries to live…
Because women are particularly beguiling when viewed from behind, the camera loves to follow them: Anyone who’s watched James Stewart’s lovesick detective trailing Kim Novak, a platinum dream poured into a pale gray flannel hourglass, understands the voyeurism at the heart of Vertigo. With Spectre — the 24th James Bond…
The Muppets doesn’t work, exactly, but I’m still watching. As a relative outsider to the 60-year Muppets franchise, I’ve long suspected that early imprinting is the key to loving Jim Henson’s gaudy, unblinking rags. I’ve never felt a particular need to watch pieces of felt tell Borscht Belt–style jokes, and…
Oscar-nominated, acclaimed cult filmmaker Whit Stillman is still coming to the Texas Theatre in celebration for the 25th anniversary of his first feature, Metropolitan. Metropolitan wasn’t the immediate success that I — and perhaps you, too — might’ve assumed. It premiered at Sundance, garnered an Oscar nomination for Best Screenplay, and…
Lenny Abrahamson’s shattering drama Room borrows its fictional plot from the tabloids and strips it of sensationalism. Seven years ago, a man (Sean Bridgers) snatched 17-year-old Joy (Brie Larson) and stashed her in his backyard shed. Two years later, she bore their son. The door stayed locked. Now 5, Jack…
The most effective scene in James Vanderbilt’s brisk, outraged Truth is one that will be familiar to anyone who has ever sat in a room where editors and reporters are breaking down an investigative story. The reporters — here, 60 Minutes researchers played by Dennis Quaid, Elisabeth Moss and Topher…
David Gordon Green’s Our Brand Is Crisis is a horror film wrapped in fast-talking political comedy. Watching Sandra Bullock, as ruthless campaign manager Jane, flog her uncharismatic candidate for Bolivia’s next president, I snickered at her knowing quips. Asked by an offscreen TV interviewer (the film’s awkward framing device) to…
Before Anthony Bourdain published Kitchen Confidential in 2000, mere mortals who simply eat in restaurants had little idea about the drinking, debauchery and drug use rampant among the folks responsible for getting their fettuccine Alfredo to the table. The book was eye-opening if true, and a rambunctious, vicarious pleasure even…
Sure, you can blame the aliens, the gophers, the monkeys and the fridge. But even without all those, 2008’s Indiana Jones and the Harrumphing of the Whatsit likely wouldn’t have worked. Its director, you see, no longer finds it edifying to dream up new ways to kill America’s historical enemies…
In his 2014 book Difficult Men, journalist Brett Martin identifies bad-boy antiheroes as the defining feature of our current “Golden Age” of television. Tony Soprano, Don Draper and The Wire’s Omar Little dazzle with their multifaceted complexity: How deep the furrow in Tony’s troubled brow! How pensive the trail of…
Dear Movie Theater Patrons on Their Phones (re: Crimson Peak), A few months ago, I got new contact lenses. The doctor strengthened my prescription, and now I can pretty much count the stars on the American flag on the moon. It’s pretty intense. There’s a raisin on the floor over…
Here’s a hair-raising assignment: Imagine you’re tasked with capturing the social and psychological complexities of a nation’s crackup within the framework of popular moviemaking. What if Gone With the Wind tried, in its swooning romance, to explicate Scarlett O’Hara’s slow-to-dawn realization of the hopeless immorality of the world she has…
Quick! Name the movie where Bill Murray plays a proudly shabby dude who acts like a prick for an hour and then, for reasons of narrative convention rather than character-based truth, shambles toward either heroism or some vague be-nicer enlightenment. Maybe a tougher challenge would be to name the Bill…
The last time RAW, the company’s long-running episodic television program set foot inside the AAC this past January, longtime WCW stalwart Sting made his first public appearance on WWE TV. Daniel Bryan – though hurt again and unsure when the company’s medical staff will clear him – wrestled his first…
In 1969, the late, always unpredictable and wacky actor Dennis established himself in the Hollywood system as “Billy” in his co-writing / directed debut, Easy Rider. This rebellious film set the mood for Hopper and the often wild card of roles and projects he would take on for the remainder…
Twenty-year-old Josh’s (Josh Thomas) world explodes twice in the Please Like Me pilot: first when he realizes he’s gay and again when his bipolar mother, Rose (Debra Lawrance), attempts suicide. Josh takes both revelations in stride, though he dreads having to inform his mom, whom he’ll be living with and…
