The Problem With… Hot Chelle Rae’s “I Like It Like That”

When I first heard Hot Chelle Rae’s summer hit “Tonight Tonight,” I assumed that the pop-rock band came from the West Coast. Young, sun-drenched energy? A bit of naivete? Apathetic pop hooks? Check, check and check. Also: They name-checked the Hollywood sign. Turns out I was wrong. Hot Chelle Rae…

Dawes, Blitzen Trapper

Los Angeles alt-folk quartet Dawes turned heads with their 2009 album, North Hills. One of those heads belonged to Robbie Robertson, which led to the band backing The Band’s former guitarist and songwriter for a variety of promo and festival gigs. Dawes drew in part from that experience when recording…

Sarah Jaffe

The Way Sound Leaves A Room is a short compilation of cover songs and demos intended to hold fans over while adored Denton-based singer-songwriter Sarah Jaffe works on her second LP. But it doesn’t necessarily feel like the appetizer it’s meant to be. Each track on the eight-song collection may…

The King Bucks

Most people agree that The King Bucks are a great live act. Their newest record, the brilliantly named Bar-B-Que Drugs, certainly solidifies that claim. The album is a diverse mix of songs — some that sound great on record, most that would probably go over better in a honky-tonk —…

K.MC

For the past couple years, K.MC has been bubbling at the edges of the North Texas hip-hop underground, forming alliances with other standouts like Tunk and Blue (formerly of Sore Losers) as a member of the Brain Gang collective. There’s been a steady stream of music and guest appearances from…

Earthquake Country

Fort Worth’s Earthquake Country sounds, based on name alone, like a lame cover band looking to regale muffin-topped boot-scooters with the latest America Has Idol Talent disco-and-Western blend. Thankfully, Diaspora, the first record from Jason Worley and his backing band, which includes members of Telegraph Canyon, isn’t anywhere near such…

Gaston Light

It’s all about the voice, stupid. Always is. Here, too: Jason Corcoran’s baritone is the first thing that jumps out on Peel, his debut release as Gaston Light. Deservedly so: It’s vulnerable, compelling. But it sounds, well, a little Red Dirt. Blame Corcoran’s Texas twang for that. Considering that his…

The Blurries

Over the course of the past few years, The Blurries may have been the best-kept secret in town. Proficient in driving, catchy power-pop anthems — and among the tightest performers around, if not the flat-out tops in that category — the band has existed mostly under the radar. For a…

Your 2011 Dallas Observer Music Awards Showcase Performers

The old-timers about town would have you believe that Deep Ellum was maybe the single greatest place in the world some 15 years ago, right at the height of the neighborhood and the area music scene’s tandem peaks. And, hey, maybe it was. But, y’know, some of us weren’t of…

Star Slinger, Mux Mool, Shigeto

Eventually, mash-up artists grow up. They tire of seeking out familiar samples, chopping them up and laying other singers’ and rappers’ vocals on top of them. There are other reasons, too, of course. “Well,” admits Manchester, England’s Darren Williams, the 25-year-old behind the Star Slinger moniker, “obviously I don’t want…

The Black Angels, Dead Meadow, Spindrift

The Black Angels, gods of Austin’s psych-rock scene, spent three years living in a ghost-infested house on the weird city’s east side. Untouched cymbals would rattle, things would go thump in the night, and, while living under that haunted roof, the band released its excellent Passover in 2006 and Directions…

Judas Priest, Thin Lizzy, Black Label Society

As misspent youth becomes forgotten and hazier with age, there’s something rather bittersweet about the passing of the torch from one era of heavy-metal fans to another. The generation that grew up — and threw up — in Heavy Metal Parking Lot now wears Dockers and watches doppelgangers of themselves…

The War on Drugs Reach a Higher Place

Count Adam Granduciel among the ranks of musicians who have benefited greatly from the availability of affordable home recording technology. As the man behind Philadelphia-based The War On Drugs, Granduciel fondly recalls as the foundation for what has evolved into his career in music the countless hours he spent at…