The Best Of SXSW Music Wednesday: Folk Beards, Nite Jewel and Nudity

People drunk. After day one-ish of SXSW Music, it’s a new term. People drunk is the dulled sensation, the open-mouth brain shock of trying to figure out which great band to catch in a completely huge crowd. Looking at yesterday’s schedule (and today’s…and tomorrow’s), it’s an overwhelming choice. So, yeah,…

Eisley

Eisley have been waiting a long time for this: It’s been four years since the Tyler-based family band released its last full-length album, Combinations, and during that time they’ve been through the wringer, both personally and professionally. Personal relationship breakups and an ugly split from Warner Bros. Records left the…

Forever The Sickest Kids

Lest the Forever The Sickest Kids’ pre-release interviews for this, their second full-length release, didn’t make it abundantly clear, then the final track on this self-titled affair (saying nothing of the ten songs leading up to it) certainly does, with its all-in shouted refrain: “We’re never gonna stop / Never…

Descender

While Army of Elephants, Descender’s 2010 debut, was no emotionally shallow affair, it would seem that sophomore release Dark Water finds the band leaving their past behind as a mere memory. Personnel-wise, the only remnants here of past projects Doosu and The Burden Brothers seem to be the band’s well-seasoned…

Rural Alberta Advantage, Maps & Atlases, Miniature Tigers

Toronto trio Rural Alberta Advantage’s breakout 2009 debut, Hometowns, was surprisingly muscular for all its folk undertones and atmospheric sheen. Sound swirls like flurries about frontman Nils Edenloff’s nasal, impassioned croon, which recalls Jeff Mangum’s craggy vocals. The warm textures and anxious bristle are keyed to extraordinary drummer Paul Banwatt,…

Das Racist Knows More Than Just Taco Bell

The song that put Das Racist on the map was “Combination Taco Bell and Pizza Hut,” which could not be simpler, and the generally accepted story is that the band made it up while performing it at a show. Yet the ensuing online analysis would have us believe that Das…

Say Hi’s Happy Sounds Come From A Dark Place

For a guy crossing Missouri in a ragged van in the middle of winter, Eric Elbogen sounds fairly chipper. And happy he should be: Elbogen’s band, Say Hi, is out on tour supporting their seventh effort, Um, Uh Oh, an album that’s garnering some of the best reviews of Elbogen’s…

35 Conferette’s Coming Into its Own.

On Sunday evening in downtown Denton, as the crowds gathered to catch Atlanta rapper and 35 Conferette headliner Big Boi perform in the Wells Fargo parking lot that had been temporarily converted into a concert space, a different personality entirely sauntered onto the stage. Rather than the final outdoor performer…

Dawes, Deer Tick & Middle Brother

So-called supergroups are often less than super. But the reality is there’s nothing wrong with an intriguing collection of stars joining forces to be a “really good-group.” Middle Brother, a “really good-group” consisting of Taylor Goldsmith, John McCauley and Matt Vasquez—from promising young bands Dawes, Deer Tick and Delta Spirit,…

Bro Fest Offers Its Strongest Bill To Date

Every year around March, the spillover effect from Austin’s South By Southwest music festival sends hundreds of underground bands through North Texas. Which is good news for those whose wallets aren’t thick enough to afford a 2011 SXSW pass (a basic music pass goes for $750), as there are more…

Q&A: Big Boi Talks About His Decision To Go Solo, The Preparations For His Next Album and Why He Hardly Considers Himself A Hip-Hop Act.

There’s little doubting Atlanta duo Outkast’s place in hip-hop history. The twosome of Andre 3000 and Big Boi practically invented the southern hip-hop sub-genre, developing a crazy style to call their own — and something all their own, too. Even some 17 years after their 1994 full-length debut, Southernplayalisticadillacmuzik, few…