The Problem With… Neon Trees’ “Animal”

It’s about damn time an indie pop track reached the top of the charts. I was getting kind of tired of throwing a few of my favorite pop artists under the bus for their bad efforts… Leave it to an contradictory genre like indie pop to grind my gears again…

A Blow-by-Blow Field Report From Austin City Limits 2010.

One could argue that North Texas’ fingerprints were all over last weekend’s ninth annual Austin City Limits Music Festival. Pretty much no one from outside of the region would agree with you, but, hey, you could argue it. It wouldn’t be completely unfounded, either. Five acts with North Texas ties…

Tech N9ne, E-40

With 11 full-length studio albums under his belt, and too many guest appearances to count over the last 20 years, it is somewhat ironic that a passing phrase of veneration made by Lil Wayne in a jailhouse interview back in July is what finally has the mainstream hip-hop community taking…

The Vaselines

For grunge junkies and Nirvana biographers, Scotland’s The Vaselines are just another rock ‘n’ roll footnote, another band Kurt Cobain listened to as a (disturbed) youth and whom he’d later cover during his relatively quick rise and fall. And there are probably still a few tortured, unknowing souls who think…

Deftones

Hipster types have unfairly maligned the Deftones for their supposed role in helping foment the stain that was nu metal. But, hey, can the group help it if so many Korn imitators really liked their stuff? The band’s 2000 watershed crossover album, White Pony, still holds up as a testament…

Frightened Rabbit, Plants and Animals, Bad Veins

Before 2004, the best-known export of Selkirk, Scotland, was a dry fruitcake called “bannock,” which, according to Wikipedia, is “made from wheat flour and containing a very large quantity of raisins.” It’s for this reason, among myriad others, that we’re incredibly pleased to be acquainted with Frightened Rabbit, an angular…

Gorillaz, NERD

If Gorillaz ever took themselves completely seriously, would it spell doom for their infectious virtual-band whimsy, or make for some iconic, classic postmodernism? Originally just a playful side project for Blur frontman Damon Albarn, the animated quartet captured creative lightning in a bottle with the hip-hop-infused synth pop of 2001’s…