Last Night: Cake at the Palladium Ballroom

CakePalladium BallroomDecember 30, 2010 Better than (eventually): The insane traffic that was backed up from the venue, all the way down Lamar, down the ramp and onto freaking I-30. Cake has it figured out. For the uninitiated: The California-based nerdy rock outfit managed to not only blow up into big…

Bonus MP3: Datahowler — “Prophet”

Regular DC9 readers should know the name Datahowler. Or, if not Datahowler, then Objektiv One. As you might recall, they’re the same person — one Ross Edman. Edman used to go by the name of Objektiv One, back when he was making waves around the Internet as a mashup artist…

Bonus MP3: Mind Spiders — “No Romance”

As you may have noticed, much of the music section in this week’s Observer is dedicated to the cause of counting down the 20 best local releases of 2010. Next week’s issue, meanwhile, will heavily focus on the most anticipated releases of 2011.And few bands pop up on both lists,…

Last Night: The Adolescents at The Loft

The Adolescents, Lower Class Brats and The ScandalsThe LoftDecember 29, 2010Better than: Staying home and watching Sid and Nancy. A surprisingly large collection of Dallas’ unwashed and unwanted gathered together at The Loft last night to witness a fine triple-bill of old-school punk rock.Headlining was The Adolescents, a semi-legendary hardcore…

Counting Down the Best Local Albums of 2010

This was bound to be a big year in local music. After an impressive 2009 that mostly saw notable debut or breakthrough releases from previously unheralded area performers (see: Telegraph Canyon, Teenage Cool Kids, Neon Indian, The O’s and Air Review), we knew, heading into this year, that the big…

Hayes Carll, Bobby Bare Jr., Cary Ann Hearst

Hayes Carll is probably the pre-eminent thinking-man’s Texas musician of his generation. He’s rowdy and rockin’ enough to impress the ballcap-clad yee-hawers, but thoughtful and witty enough to impress mentors (and now co-writers) Guy Clark and Ray Wylie Hubbard. On this trip through town, the singer-songwriter from The Woodlands comes…

Cake

Sometimes, there’s nothing more apt than a cliché, and so it is for Cake, a band best defined by the old chestnut, “If it ain’t broke, don’t fix it.” While there are of course some progressions to be found on the band’s soon-to-be-released sixth full-length release—like the fact that this…

Ghostland Observatory

Formed in Austin in 2004, Ghostland Observatory has evolved its sound from the raw, noisy electro-funk of its earlier releases into something more danceable. Equal parts electro, psychedelia and glam-rock, the group’s songs pivot on Aaron Behrens’ signature vocals, which resemble Freddie Mercury’s voice fused with Cedric Bixler-Zavala’s, and the…

Old 97’s, Whiskey Folk Ramblers, The O’s

The Old 97’s closed out 2009 in fairly spectacular fashion, performing for four straight nights at Sons of Hermann Hall in Deep Ellum and recording those sessions for release at a later date. Unfortunately, the band has thus far only released three of the tracks from those performances via a…

Consider 2010 a Gestation Period for Denton Music

2010 started off strong in Denton. In March, the North by 35 Music Conferette (recently re-branded for 2011 as the 35 Conferette) brought a flurry of activity in the city’s music community, both within the festival and in its satellite shows. For a few days, bands and solo artists from…

Centro-matic, Slobberbone, RTB2

If roots-rock is your thing, well, you’d be hard-pressed to find a better triple-bill—on New Year’s Eve or otherwise—than this Kessler Theater offering of Centro-matic, Slobberbone and RTB2. Individually, all of these acts are forces to be reckoned with, each more than capable of offering up a soul-cleansing performance that…

How To: Make A Hit Southern Hip-Hop Track

After years of extensive research, we finally feel as if we’ve cracked the code of how to make a successful southern hip-hop track.So, with that, we present to you, after the jump, a major breakthrough — a blueprint teaching people how to make a southern hip-hop song, no matter whether…