Audio By Carbonatix
Independent Journalism in Dallas Needs You
We need to raise $12,500 by August 9 to support the reporting our community depends on. Reader support keeps us independent and is playing a larger role in funding local journalism and shaping what comes next. If you believe independent local journalism matters, make a contribution today.
As the brains and guitar brawn behind The Mars Volta and their legendary El Paso precursors At The Drive-In, Omar Rodriguez-Lopez has influenced a greater part of the impressionable ears of young America to turn on, tune in and get cosmic. The guitarist’s Pink Floyd/Santana influences didn’t come to the front of the mix until Volta’s 2003 debut De-Loused in the Comatorium, but once the proverbial floodgates were opened, shit got spacey quick.
Since 2004, Rodriguez-Lopez has been at work on solo stuff in countless permutations, and at a prodigious rate—when he isn’t co-fronting Volta with Cedric Bixler-Zavala—and reserving the more challenging high-art work for his personal releases. You can hear influences from Miles Davis, Can, Kluster and the seamier, less commercial side of Jimi Hendrix here, expanding the palettes of curious fans drawn in by his better-known band’s name.