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Hatebreed, With Fugitive and Creeping Death, Celebrated Their 30-Plus-Year Legacy in Dallas: Photos

Hatebreed, Fugitive, Creeping Death, Gridiron, Escuela Grind and Incite breathed new life into the Summer Slaughter Tour.
Image: Metal band playing on stage
Fugitive fired up the crowd with “Blast Furnace” during their set at The Bomb Factory on Sunday. Kristin Lockhart
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“We have a deal, no voices tomorrow!” shouted Hatebreed frontman Jamey Jasta during the last portion of the band’s performance at The Bomb Factory on Sunday, July 13. Indeed, there will be many metalheads with a sore throat the morning after, as both the band and the fans gave it their all.

To a certain extent, you know what to expect at a Hatebreed show: moshing, meaty riffs and lots of cargo pants.

However, no matter how many tours the band cycles through, they still manage to summon the palpable energy needed for an unforgettable show after more than 30 years together. This stop was part of the Summer Slaughter Tour, which began on July 8 in St. Petersburg, Florida, and runs through July 28 in Grand Rapids, Michigan. On Sunday, Dallas witnessed the new era of Summer Slaughter.

Sumerian Records’ annual Summer Slaughter Tour came to a halt in 2020 during the pandemic before being resurrected last year. After backlash about the 2024 lineup choices, Jamey Jasta took part in the decision-making for bands on the roster in 2025.

The result is that subgenres from grindcore to crossover thrash are represented. Incite, Escuela Grind, Gridiron, Creeping Death and Fugitive all brought their own blend of hardcore and metal influences into a well-rounded night.

Leading up to Hatebreed, prominent local metal groups Fugitive and Creeping Death both tore through short but blistering sets to warm up the crowd. They expressed their gratitude for being on the bill for such an influential band, yet also reminded everyone that the local metal scene is standing strong.

Surprisingly, Hatebreed didn’t play any material from 2020’s excellent Weight of the False Self, but the group mixed in crowd favorites and kicked off the set with the hard-hitting “I Will Be Heard.”

The four-piece didn’t need a hefty production for an effective show but did blast the stage with CO2 cannons and also implemented a large, presumably evil character to loom over the band.

At the center of it all were simply the songs. They didn’t need the pomp and circumstance as the crowd reciprocated the band's energy. As Jasta himself said, “Best Sunday night that I can remember!”

See more photos from Sunday at The Bomb Factory:
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Incite started off the night at The Bomb Factory.
Kristin Lockhart
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Incite brought thrash to the incoming crowd.
Kristin Lockhart
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Escuela Grind brought grindcore into the mix.
Kristin Lockhart
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Katerina Economou of Escuela Grind didn’t stop moving for the whole performance.
Kristin Lockhart
Metal band playing on stage
Gridiron brought its unique hardcore sound.
Kristin Lockhart
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Gridiron guitarist Xavier Wilson was lively from start to finish.
Kristin Lockhart
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Creeping Death guitarist Trey Pemberton displayed skills other than just riffing.
Kristin Lockhart
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Creeping Death were the representatives of the night for DFW death metal.
Kristin Lockhart
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Creeping Death observes the moshers.
Kristin Lockhart
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The circle pit enjoying Creeping Death.
Kristin Lockhart
Metal band playing on stage
Fugitive opened its set with 100% energy.
Kristin Lockhart
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Fugitive’s Blake Ibanez is getting in a good headbang.
Kristin Lockhart
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Fugitive vocalist Seth Gilmore during a performance of “Neutralized.”
Kristin Lockhart
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A crowd surfer enjoys the view.
Kristin Lockhart
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Hatebreed opens its set with “I Will Be Heard.”
Kristin Lockhart
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Hatebreed riffing away at The Bomb Factory.
Kristin Lockhart
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Jamey Jasta gets the crowd going with CO2 cannons galore.
Kristin Lockhart
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Hatebreed performing “Before Dishonor.”
Kristin Lockhart
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Fans toss around the gigantic “Ball of Death” that this writer absolutely did not get hit in the head with.
Kristin Lockhart
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The crowd showing its appreciation after Hatebreed ends with “Looking Down the Barrel of Today.”
Kristin Lockhart