Hide and Seek

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That's just for a start; most of the songs on Hide the Kitchen Knives can be taken (at least) two ways. If the disc occasionally sounds desperate, it's because relationships sometimes are. If it sounds frightening and frightened, pissed off and pissed on, same goes. That's all part of interacting with other people at some point. Then again, so are hope and happiness and all the good stuff, and that has its place on Hide the Kitchen Knives as well. Sometimes, the album incorporates all of it at once: "Make no mistake/I just couldn't stop the hands/When you're happy and you're safe/You'll do anything to keep it that way," Congleton sings on "I Did a Terrible Thing," the record's opening salvo. Relationships bring with them every emotion, and so does Hide the Kitchen Knives.

"It's kind of about caring about people, actually," Congleton says, explaining the idea behind the album. (And all pAper chAse records are about something: Young Bodies focused on Congleton's panic attacks, while cntrl-alt-delete-u was, according to Congleton, "supposed to be a nerdy, fantasy concept album taken to the umpteenth degree, almost taken to the point of Styx," a commentary on our reliance on technology.) "The idea of the kitchen knife to me, I got the idea of it as, like, something very utilitarian that's in every house and it's a little thing and it doesn't mean anything, but something that little, a kitchen knife, could be used for something so dastardly. The idea is: All the little things count.

"I think it's sad, and I'm definitely guilty of this, but we put so much stock in in your life and what you meant to those people and what they meant to you, enlightenment and all that kind of stuff."

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Zac Crain
Contact: Zac Crain

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