[
{
"name": "Related Stories / Support Us Combo",
"component": "12047914",
"insertPoint": "4",
"requiredCountToDisplay": "6"
},{
"name": "Air - Billboard - Inline Content",
"component": "12047910",
"insertPoint": "2/3",
"requiredCountToDisplay": "7"
},
{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "12047911",
"insertPoint": "12",
"requiredCountToDisplay": "12"
},{
"name": "Air - MediumRectangle - Inline Content - Mobile Display Size 2",
"component": "12047911",
"insertPoint": "4th",
"startingPoint": "16",
"requiredCountToDisplay": "12"
}
,{
"name": "RevContent - In Article",
"component": "13033296",
"insertPoint": "3/5",
"requiredCountToDisplay": "5"
}
]
In a few weeks, most music blogs — including ours — will begin the samurai-like process of forging year-end and best of 2012 lists. And no sword-maker should exclude Sharon Van Etten's sharp third album, Tramp. Neither should they overlook the always-great Damien Jurado, whose latest LP, Maraqopa, has great songs like "Working Titles." Opener Yellow Ostrich are also on hand with their slightly poppier EP, Ghost. All three make for a night of rich, velvety darkness. Do not be fooled: Dark does not mean boring. Look for Van Etten to be Exacto-knife precise, Jurado to be rugged and woodsy and Yellow Ostrich to make you want to ditch the happiness of Vampire Weekend. Nick Rallo