| Sports |

Is It Too Loud in the AAC? What?

Keep Dallas Observer Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Dallas and help keep the future of Dallas Observer free.

This is how loud Mavs playoffs games were at Reunion Arena. And this is how regular season games sound at the American Airlines Center, where, writes The New York Times's Alan Schwartz, "it is hard to tell if the Mavericks' favorite machine during these playoffs is Dirk Nowitzki, their star player, or their sound system." That's from a front-pager this morning on why some sports arenas feel the need to turn it up to 11 -- Dallas especially, where there's hardly a moment of silence in between all the classic rock, clutter and cacophony, which is a far cry, as it were, from the days when the sound track consisted of the "Charge" fanfare banged out on an organ and a respectful "basket by Rolando Blackman," in the words of 27-year Mavs vet Steve Letson, who sits courtside and operates the A/V presentation. Writes Schwartz:

The Mavericks' equipment involves more than simply pumping up decibels to levels that some experts fear could contribute to long-term hearing loss. Rather, with fans spoiled by earbud fidelity and 5.1-channel home theater systems, owners like the Mavericks' Mark Cuban have turned hosting a game into producing an event -- with "assisted resonance" and "crowd enhancement," buzzwords for insiders and euphemisms for others.

Sixty mammoth speakers hanging above the court thunder music and clamorous sound effects louder than a jumbo jet engine. More speakers encircling the seating bowl replicate a roaring herd of horses in perfectly timed surround sound.

The AAC's noise registers somewhere between 90 and 110 decibels and occasionally touches 115, right around the Occupational Safety & Health Administration's not-safe levels over extended periods of time. Which is gonna happen as the arenas get bigger: You need to pump up the volume, lest you get nothing but "echoes and reverberation," in the words of AAC acoustic engineer Jack Wrightson (and Jeff Liles!).

Keep the Dallas Observer Free... Since we started the Dallas Observer, it has been defined as the free, independent voice of Dallas, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Dallas with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.


Join the Observer community and help support independent local journalism in Dallas.


Join the Observer community and help support independent local journalism in Dallas.