Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • Village Voice

    The Great Walls of Chinatown

    With the exception of the electric rice cookers, this Bowery tenement could have come straight from the Nineteenth Century.

    By Elizabeth Dwoskin

  • Houston Press

    Getting Off

    DUI attorney Tyler Flood wins 80 percent of his trials--even if his clients were 100 percent drunk.

    By Mike Giglio

  • Miami New Times

    Park or Die Tryin'

    From the homeless parking mafia to the meter fairy, finding a spot in Miami has taken a turn toward the surreal.

    By Gus Garcia-Roberts

  • City Pages

    The Baddest Men on the Planet

    Straight from the Sam's Club tire shop, Brett Rogers prepares to meet Fedor Emelianenko in mortal combat.

    By Bradley Campbell

Andrew Bird, Haley Bonar

Sunday, March 22, at the Granada Theater

Share

  • rss

By Elliott Johnston

Published on March 18, 2009 at 12:55pm

Along with eccentric one-of-a-kinds like Sufjan Stevens and Joanna Newsom, Andrew Bird would make a fine professor at some school for indie overachievers. Flying around in a genre obsessed with punk's unlearned cool, Bird is a classical violinist, a virtuoso whistler, and a songwriter whose über-literate lyrics wouldn't dumb down a grad-school writing class.

After cutting his teeth with '90s neo-swing band the Squirrel Nut Zippers and his genre-hopping group Bowl of Fire, Bird has been following a solo path since 2003's moody, deconstructed Weather Systems. His latest, Noble Beast, finds him extracting warm, eclectic pop from elaborate arrangements, all sorts of violin manipulation, and his comfy and melodic vocals.

However, Bird is a dish best served live, where his on-the-spot looping technique gives his songs new blood, and his superhuman skill and generous performance fly in the face of so much ironically aloof indie-shite.