Receive Weekly Email and Text Message Updates:
Sign up for latest info on concerts, dining, promotions and more!
Go!

Related Stories ...

Most Popular

Reader's Picks

Top Recommendations

A short list of Dallas's most popular hot spots.
user content provided by: LikeMe.net & Dallas Observer

National Features >

  • City Pages

    Michele Bachmann, Unmuzzled

    You don't need to read Sarah Palin's book to hear the ravings of a mad woman.

    By Matt Snyders

  • Miami New Times

    Pimp Daddy

    The rise and fall of a chubby sex-cult leader.

    By Natalie O'Neill

  • Riverfront Times

    Babe 'n' Arms

    Tom was a hot-tempered cross-dresser with a garage full of guns--and then he became Rachel.

    By Nicholas Phillips

Andrew Bird, Haley Bonar

Sunday, March 22, at the Granada Theater

Share

  • rss

By Elliott Johnston

Published on March 18, 2009 at 12:55pm

Along with eccentric one-of-a-kinds like Sufjan Stevens and Joanna Newsom, Andrew Bird would make a fine professor at some school for indie overachievers. Flying around in a genre obsessed with punk's unlearned cool, Bird is a classical violinist, a virtuoso whistler, and a songwriter whose über-literate lyrics wouldn't dumb down a grad-school writing class.

After cutting his teeth with '90s neo-swing band the Squirrel Nut Zippers and his genre-hopping group Bowl of Fire, Bird has been following a solo path since 2003's moody, deconstructed Weather Systems. His latest, Noble Beast, finds him extracting warm, eclectic pop from elaborate arrangements, all sorts of violin manipulation, and his comfy and melodic vocals.

However, Bird is a dish best served live, where his on-the-spot looping technique gives his songs new blood, and his superhuman skill and generous performance fly in the face of so much ironically aloof indie-shite.