High on Badu’s Bow at the House of Blues

Erykah Badu's new joint, the Cannabinoids, brought down the joint at the House of Blues last night. Anyone got a joint? No, seriously. We need a joint. Now. Conventional critical wisdom often insists that when it comes to music, the words "quality" and "popular" are mutually exclusive. But in one...
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Erykah Badu’s new joint, the Cannabinoids, brought down the joint at the House of Blues last night. Anyone got a joint? No, seriously. We need a joint. Now.

Conventional critical wisdom often insists that when it comes to music, the words “quality” and “popular” are mutually exclusive. But in one fell swoop last night — well, OK, two fell swoops — Erykah Badu reminded us that doesn’t have to be the case.

Badu’s show inaugurating Dallas’ outpost of the House of Blues didn’t sell out — no surprise, as the cheap seats sold for nearly $70 — but she filled the place with her singular brand of soul, funk and hip-hop. Mixing songs from her most popular albums with several new cuts, Badu couldn’t have moved the crowd more, couldn’t have sung better, couldn’t have had a better band, couldn’t have been more fitting as the Dallas HOB’s christening act.

That would have been enough, but what followed transformed an already stunning night into a truly special one. Following her first set, Badu debuted her latest project, the Cannabinoids — a freaky, funky collective of Dallas-area producers, musicians and DJs. Clad in matching purple hoodies, the group — consisting of local luminaries such as Picnic, Headkrack, Skin and several others — glided through about 45 minutes of material, most of it improved on the fly. Tthe music flowed smoothly from a drum-machine jam to a keyboard riff to subtle record scratching, all conducted by Badu.

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The musicians in the Cannabinoids were all hand-picked by Badu, and she couldn’t have chosen a better crew. The chemistry — the flow — between each individual worked as smoothly as a 6-4-3 double play. Which is not to say it was not an odd performance, as Headkrack rapped in his electronically altered voice, which listed from a helium squeak to Darth Vader bass. But it was risky, smart and full of ass-shaking moments brought down the house…House of Blues, that is. –Jonanna Widner

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