Audio By Carbonatix
Michael Morris likes film.
Understatement of the year. He loves film. He lives and breathes it. Morris is the man when it comes to video.
Since moving back to Dallas four years ago, he has carved a niche for himself in the local art scene, bringing the history of avant-garde film alive while creating a name for himself as part of its future in contemporary art.
Historically, Dallas is not a place that has a deep history of alternative moving image practices, but Morris wants to work to change that. He has been seeking out people and institutions that are interested and sympathetic to this work, and that desire brought him to the Video Association of Dallas. Four years ago, Morris was just a volunteer helping out in any way he could. Now he is in charge of programming elements of the annual festival. In 2012, he programmed a successful video and performance installation event at the Dallas Museum of Art for the Dallas VideoFest, and has curated and collaborated on shows at theaters and galleries across town, including the Texas Theatre and CentralTrak.
How did you first find your way into your craft?
I first started making videos as a student at Richland College. I stumbled into a class by accident and fell in love it. When I was a film student at UNT, I first saw the films of Maya Deren, Kenneth Anger, Barbara Hammer and Stan Brakhage, and that made me realize that it was possible to make films the way you write a poem. I was seriously close to pursuing poetry as my craft, and I had an opportunity to move to New York to study writing there, but at the very last minute chose to move to Chicago and study film.
Describe your aesthetic in five words.
Eschatological. Skeptical. Historical. Cinematic. Synaesthetic.
Why do you do what you do?
Since I was young, whenever I’ve been impressed or touched by an experience — whether it was music, film, poetry, philosophy or art — I’ve always wanted to do that thing and produce that kind of experience for someone else. I feel driven to it. I’ve been lucky to be able to make this drive one of the main pursuits of my life, and to be able to share it with others. There’s also an element of catharsis in making something from somewhere deep inside. I don’t think it would be possible for me to make something that didn’t somehow feel vital and important to me.
What in your daily life inspires you?
This depends. My “daily life,” like anyone’s, has gone through a lot of changes over the last few years. More recently, I’ve been happy to celebrate the transient nature of meanings and of moments. I find this feeling expressed well in Eliot’s “Ash Wednesday:”
Because I know that time is always time
And place is always and only place
And what is actual is actual only for one time
And only for one place
I rejoice that things are as they are and
I renounce the blessèd face
And renounce the voice
Because I cannot hope to turn again
Consequently I rejoice, having to construct something
Upon which to rejoice
What’s your next big project?
I have several in the works … I’m continuing the Hermeneutics Cycle, a series of works that examine interpretation. I’ve been working on a few collaborative works that have been developing slowly, but interestingly. There is a handmade film that has been in progress for several years…The Video Association is also working on a new project for January called the Dallas Medianale, and I’m already working hard on putting together programming for this. It’s going to be something special.
What’s something that Dallas doesn’t know about you?
I’m really not a new media artist, I’m an experimental filmmaker, which might be a kind of new media artists, really … kind of like the way a square is kind of a rectangle. Yeah. Oh, and I’m really into bad pop culture.
What’s one art trend you want to see die this year?
My friends moving away. And maybe shitty, pseudo-conceptual abstraction, though I don’t have a lot of skin in that game, so whatever.
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100. Theater Mastermind Matt Posey
99. Comedy Queen Amanda Austin
98. Deep Ellum Enterpriser Brandon Castillo
97. Humanitarian Artist Willie Baronet
96. Funny Man Paul Varghese
95. Painting Provocateur Art Peña
94. Magic Man Trigg Watson
93. Enigmatic Musician George Quartz
92. Artistic Luminary Joshua King
91. Inventive Director Rene Moreno
90. Color Mavens Marianne Newsom and Sunny Sliger
89. Literary Lion Thea Temple
88. Movie Maestro Eric Steele
87. Storytelling Dynamo Nicole Stewart
86. Collaborative Artist Ryder Richards
85. Party Planning Print maker Raymond Butler
84. Avant-gardist Publisher Javier Valadez
83. Movie Nerd James Wallace
82. Artistic Tastemakers Elissa & Erin Stafford
81. Pioneering Arts Advocates Mark Lowry & Michael Warner
80. Imaginative Director Jeremy Bartel
79. Behind-the-Scenes Teacher Rachel Hull
78. Kaleidoscopic Artist Taylor “Effin” Cleveland
77. Filmmaker & Environmentalist Michael Cain
76. Music Activist Salim Nourallah
75. Underground Entrepreneur Daniel Yanez
74. Original Talent Celia Eberle
73. Comic Artist Aaron Aryanpur
72. Classical Thespian Raphael Parry
71. Dance Captain Valerie Shelton Tabor
70. Underground Culture Mainstay Karen X. Minzer
69. Effervescent Gallerist Brandy Michele Adams
68. Birthday Party Enthusiast Paige Chenault
67. Community Architect Monica Diodati
66. Intrepid Publisher Will Evans
65. Writerly Wit Noa Gavin
64. Maverick Artist Roberto Munguia
63. Fresh Perspective Kelsey Leigh Ervi
62. Virtuosic Violinist Nathan Olson
61. Open Classical’s Dynamic Duo Mark Landson & Patricia Yakesch
60. Rising Talent Michelle Rawlings
59. Adventurous Filmmaker Toby Halbrooks
58. Man of Mystery Edward Ruiz
57. Inquisitive Sculptor Val Curry
56. Offbeat Intellect Thomas Riccio
55. Doers and Makers Shannon Driscoll & Kayli House Cusick
54. Performance Pioneer Katherine Owens
