Visual ArtsA Fictional Woman Time Travels to Combat Police Brutality in Christopher Blay’s Latest Exhibit By Betsy Lewis
Visual ArtsDiane Durant Photographed America’s Cools for an Exhibit at CentralTrak, and It’s … Cool By Betsy Lewis
Visual ArtsHow to Build a Tiny (and Cheap) House: What I Learned at Tumbleweed’s Dallas Workshop By Betsy Lewis
Visual ArtsIf You Want to Build Yourself a Tiny, Portable House, This is Your Weekend to Learn By Betsy Lewis
Visual ArtsLibrary of Babel, Lucy Kirkman’s New Show at That That, Deserves its Own Place in a Book By Betsy Lewis
Visual ArtsIn Foundry Gallery’s Pieces, You Don’t Know Which Artist Did What, and That’s the Point By Betsy Lewis
Visual ArtsLove Field’s New “Public Art” Might Be Cool, If You Could Get Close Enough to See It By Betsy Lewis
Visual ArtsCindy Sherman at the Dallas Museum of Art: Creepy and Odd but Never Uninteresting By Betsy Lewis
Visual ArtsThis Obama “Portrait” is One Reason to See Kirk Ke Wang’s Solo Show at Galleri Urbane By Betsy Lewis
Visual ArtsThere’s a Gallery in a Couple’s House in the Cedars, with Paintings You Should Probably See By Betsy Lewis
Visual ArtsReviewing Chagall: Beyond Color at the DMA: It Really Ties the Room Together By Betsy Lewis
Visual ArtsAt the Nasher, Ken Price’s Ceramics Are Big and Bold and, Lord Reltny, a Little Dirty By Betsy Lewis
Visual ArtsThere Are Two Trippy Little Exhibits at Barry Whistler Gallery Worth Your Attention By Betsy Lewis
Visual ArtsThe Strange, Funny Art of Fort Worth Drawing Center’s Contemporary Drawing Today By Betsy Lewis
Visual ArtsI’m Feeling All Uppity and Feministy After Looking at UNT’s Silk Road Exhibit By Betsy Lewis
Visual ArtsAt Red Arrow Contemporary, Three Young Texas Artists Leave Intense Traces of Themselves By Betsy Lewis
