And the Winners Are … You

A few years ago, you’d hear the happy-go-lucky, impossibly supportive local music fans shout their rallying cries, and you’d smile because, much as you wanted to believe that what they were saying was true, you knew in your heart that it wasn’t. Still, you listened to their rants: “There’s just…

Grant Jones Names His All-Time Top Five Non-Texan Country Artists

Regular readers of DC9 and regular drinkers at just about any North Texas honky-tonk are likely familiar with Grant Jones & The Pistol Grip Lassos by now. Between celebrating a great victory in the 2009 Shiner Rising Star Contest (where they won a recording contract) and suffering unimaginable loss when…

Earthquake Country

Fort Worth’s Earthquake Country sounds, based on name alone, like a lame cover band looking to regale muffin-topped boot-scooters with the latest America Has Idol Talent disco-and-Western blend. Thankfully, Diaspora, the first record from Jason Worley and his backing band, which includes members of Telegraph Canyon, isn’t anywhere near such…

Lucinda Williams’ Nine Most Emotionally Damaged Songs

Master songwriter and storyteller Lucinda Williams has made her near-legendary career on raw, open-chested emotion. But over the course of her last couple of albums, including her most recent release, Blessed, Williams has seemingly found it easier to revel in the safer side of vulnerability. Credit that much to the…

Fox & The Bird

Dallas’ favorite collective of folk heroes, Fox & The Bird, left very little to chance before releasing their debut full-length album. They took their time. Thus, given that the band, in its various incarnations, has been performing around the region for a few years, the charming Floating Feather doesn’t have…

HoneyHoney’s All-Time Top Five ’70s Films

The duo of honeyhoney, consisting of Suzanne Santo and Ben Jaffe, is one of those acts that, in recent years, have found themselves just on the cusp of breakthrough stardom. They made some noise in 2008 when their jaunty, edgy single “Little Toy Gun” found its way into the mainstream,…

Concert Foul No. 18: Standing at a Seated Show

It’s a rock show reflex: When the curtain goes up and the lights go down, you stand up and prepare to wig out. Fact is, many of the area’s best venues make the choice of whether to sit or to stand during the show an easy one. By typically not…

Over The Weekend: Carolina Chocolate Drops at the Granda Theater

Carolina Chocolate Drops, The Fox & The Bird, Mikldrive Granada Theater September 16, 2011 Better than: having my concert hopes dashed due to rain (Sorry, Explosions in the Sky ticket-holders). When at their best, concerts are far more than a simple equation of an artist performing while people watch them…

Ten Things You Can Expect to See At Austin City Limits 2011

Each year, the lineup announcement for the annual Austin City Limits Music Festival garners some serious discussion, and it all essentially boils down to this: Is this year’s collection of talent a successful one, or will it all amount to a wasted weekend? Truth is, this year’s bill is a…

Carolina Chocolate Drops, Fox & the Bird

For a group that specializes in smile-inducing string-band music that organically forces the heart to dance along with the feet, it’s natural that the Carolina Chocolate Drops would choose to face the issue of race by simply being truthful right from the start. Whether it’s their chosen band name —…

Last Night: Bon Iver and Kathleen Edwards at the Winspear Opera House

Bon Iver, Kathleen Edwards Winspear Opera House September 12, 2011 Better than: seeing this (or any other) show outside in the reinvigorated heat-wave. ​Bon Iver’s Justin Vernon has left the log cabin. Hell, judging by the full-on rock show that took place in the magnificent Winspear Opera House last night, it’s…

O’Death, Why Are We Building Such a Big Ship?

When Brooklyn’s so-called folk-metal outfit O’Death performed at this past March’s 35 Conferette, we were mightily impressed. In fact, we claimed that they might be the most definition-appropriate version of a “roots-rock” band. Such a theory was based upon the band’s effortless ability to make the new sound old and…