The Dallas Opera Will Simulcast The Barber of Seville For Free

Rossini’s classically lighthearted tale of romance and false identity is an operatic standard. Barber of Seville’s music is so prevalent that without even seeing it performed live or in its staged form, you’ve encountered the libretto through untold doses of pop culture parody. Barney Rubble belted it in the bath…

Gotta See ‘Em All at YOLO Solo Festival

Since hashtags became a thing, the four-letter slogan “YOLO” has been attached to more than 16 million pictures on Instagram of bleary-eyed frat parties, foolhardy stunts and ill-advised trips to tattoo parlors. After all, you only live once. Over at the Margo Jones Theatre in Fair Park, this motto of…

Ten Simply Gorgeous Photos From Artopia

On Saturday night about 1620 of us got together at Artopia. We drank things. We shook things. We absorbed Dallas’ creativity. Picking a favorite part of the night is impossible: Downstairs Magician Confetti Eddie and sidekick the Lovely Karleena were show-stoppers, and the Danielle Georgiou Dance Group captivated us with…

Is Sugar the New Cigarettes? Fed Up, a New Sundance Film, Thinks So

© Courtesy of Sundance InstituteSixty years ago, Fred Flintstone hawked Winston cigarettes. Today, he pitches cereal. And both can kill. Stephanie Soechtig’s rabble-rousing documentary Fed Up argues that it’s time to attack Big Sugar just like we successfully demonized Big Tobacco. Narrated by Katie Couric, Fed Up is the first…

Have You Seen Texas Theatre’s Life Aquatic Parody Video?

File this under “Positively Charming.” Texas Theatre shows Wes Anderson’s The Life Aquatic with Steve Zissou Saturday night, and in proper Texas Theatre style they’ve filmed a mock doc promo teaser. From the miniature architectural model to the Candy Dungeon, it’s extremely satisfying. (Especially with The Midnight Coterie of Sinister…

15 Awesome Things To Do In Dallas This Weekend, January 17 to 19

I think by now we’ve reached an understanding. A cultural trust fall, of sorts. This Saturday is Artopia, the Observer’s annual art-dance-music-fashion party, and you should go. I say that with bias aside, because the lineup is crazy good. VIP is sold out. A few general admission tickets are still…

This Dallas 11-Year-Old Is Already a Better Dancer Than You’ll Ever Be

The children are indeed the future. Local preteen KJ Takahashi is competing in a video contest, Marquese Scott’s Shut Up and Dance: Dance Among Dragons, in which he’s currently ranked third. This isn’t a kid-specific contest. KJ’s competitors are grown-ass adults, and he’s closing in on the second- and first-place…

Hélène Grimaud on Brahms, Synesthesia and a Passion for Wolves

Pianist Hélène Grimaud has just finished a mentally and physically demanding rehearsal of the first two movements of Brahms’ Second Piano Concerto. Wearing unremarkable dark street clothes and no makeup, she still somehow pulls off that chic, effortless beauty that only French women can. She settles on the couch in…

Those Naughty Victorians

A tale of love complicated — if not thwarted — by prior responsibilities, intractable barriers and the rigid high-society norms that frustrate its Victorian characters’ attempts to live as they so desperately want, The Invisible Woman finds Ralph Fiennes proving as adept behind the camera as he is in front…

A Brilliant Past

Iranian writer-director Asghar Farhadi solidifies his status as one of cinema’s finest living dramatists with The Past, a superb follow-up to 2011’s Oscar-winning A Separation that again situates audiences amid interpersonal, familial and household crises. Working from a script that incisively plumbs a thicket of logistical and emotional complications, Farhadi’s…

Hurt Like the Dickens

If you’re a person alive in this age, Ralph Fiennes has at some point probably made you hate him. As the Nazi Amon Goeth in 1993’s Schindler’s List, Fiennes embodied one of history’s great evils, somehow making being utterly detestable compelling. In Martin McDonagh’s riotous, under-regarded In Bruges, Fiennes spat…

Paperback Grandeur

Russians still make the best movie villains. Since 9-11, Hollywood has been queasy about giving us fictional baddies from Arab countries — the line between cheap stereotypes and real-life religious extremism is too blurry, too delicate. South American drug lords have had their day, and Albanians in bad sweaters just…