Just as we thought the “bromantic comedy” had overstayed its welcome, the genre reaches its high point with I Love You, Man. The subtext is finally the text—it’s right there in the title. The movie delivers an absolutely complete, fully realized, delightfully novel redo of the hoariest of forms: the…
Whether it’s the amnesiac super spy of the Bourne franchise or the weary law-firm fixer of Michael Clayton, Tony Gilroy specializes in characters who wear so many masks that, memory loss or no, they scarcely know who they are anymore. Guided by instinct, his soldiers of fortune patrol a ruthless…
“That was the most offensive display of sexualized violence I have ever seen,” one wilting fellow in need of a camphor hankie was overheard saying in the elevator. Such blanching is the reaction Last House on the Left is trolling for, but I doubt it will be typical. Permissibility has…
The most eagerly anticipated (as well as the most beleaguered) movie of the year (if not the century), Watchmen is neither desecratory disaster nor total triumph. In filming David Hayter and Alex Tse’s adaptation of the most ambitious superhero comic book ever written, director Zack Snyder has managed to address…
Martin Scorsese may be presenting Matteo Garrone’s Gomorrah, but this corrosive, slapdash, grimly exciting exposé of organized crime in and around Naples comes on like Mean Streets cubed. Detailing daily life inside a criminal state, it’s a new sort of gangster film for America to ponder. Gomorrah takes its punning…
Haven’t we been here before? The inbred mutant offspring of Crash and Babel, writer-director Wayne Kramer’s Crossing Over treats the subject of illegal immigrants coming to (and from) Los Angeles with the same vulgarity that Kramer brought to his 2006 children-in-peril thriller Running Scared, this time (barely) concealed under a…
If Joaquin Phoenix, who plays a lovelorn bachelor in James Gray’s Two Lovers, were 12 years old, the movie might make a touching, if not noticeably fresh, romantic drama for tweens. Not that adults don’t nurse unhealthy crushes and regress madly under the pressure of hopeless infatuation, which may be…
Compare and contrast Laurent Cantet’s terrific The Class with any of the following schoolroom chestnuts—Mr. Holland’s Opus, Dangerous Minds or To Sir, With Love. Note the structural similarities: misbehaving students, an educator who wants them to succeed and big thoughts about the classroom as urban microcosm. Discuss the difference between…
Modest but cosmic, Kelly Reichardt’s Wendy and Lucy is a movie whose sad pixie heroine, Wendy (Michelle Williams), already skating on thin ice, stumbles and, without a single support to brace herself, slides into America’s lower depths. Introduced calling for her dog, Lucy, Wendy loses first her liberty (briefly), then…
Tom Tykwer’s The International is one of those movies in which shadowy men meet in parked cars, abandoned buildings and inconspicuous public spaces, travel under assumed names and always glance nervously over their shoulders, fearful of being spied on through a sniper’s lens. All tread carefully around potentially bugged telephones,…
The Confessions of a Shopaholic we need right now would be a handheld doc featuring former Merrill Lynch CEO John Thain sobbing into the camera and begging the American public to forgive him for purchasing a $35,000 commode. With its curious release date—the film is meant to be Valentine’s Day…
Coraline If Alice in Wonderland were retold by the Mad Hatter, it might look something like Henry Selick’s 3-D, stop-motion Coraline, in which the bored, blue-haired 11-year-old of the title (voiced by Dakota Fanning) travels through the looking glass and ends up in a world that strangely resembles her own—except…
The smirky, overbearing and subliminally hostile romantic primer He’s Just Not That Into You—which sold a regrettable 2 million copies when it was published in 2004—seizes on some partial truths about the gender wars and blows them up into evolutionary gospel, as follows: Since cave-dwelling times, men have been programmed…
New in Town She’s too thin. She’s a bobble-head. Her forehead doesn’t move. Where has that Jerry Maguire girl gone, the one we once knew and loved? It’s not easy being America’s Sweetheart. Nor any easier being Lucy Hill (Renée Zellweger), who’s unmarried, pushing 40, personal trainer-toned, living in a…
The crowds were thinner, the temperature warmer and Barack Obama’s name mentioned so many times that you might have thought he had assumed leadership not just of the free world, but the Sundance Institute too. Otherwise, it was business as relatively usual as the Sundance Film Festival turned 25. If…
Ari Folman’s broodingly original Waltz With Bashir is a documentary that seems only possible, not to mention bearable, as an animated feature. Folman has created a grim, deeply personal phantasmagoria around the 1982 invasion of Lebanon. Waltz With Bashir, named for Bashir Gemayel, the hero of the Christian militias that…
Inkheart Brendan “Kids’ Choice” Fraser returns to the multiplex day-care as “Mo” Folchart, antiquarian-book-repairman-cum-adventurer. In Inkheart’s opening chapter, he’s identified as a member of a race of “Silvertongues”—those who, when they read aloud, can suck people out of and into the texts that they’re reciting from. Mo has abstained from…
Notorious, about a crack dealer who becomes an iconic rapper who becomes a tragic legend, is the first film George Tillman Jr. has directed since 2000’s Men of Honor, about a sharecropper’s son who becomes the first black diver in the Navy who becomes the first amputee to return to…
And so the endless campaign wraps up with a flurry of virtual leaders. Richard Nixon will always be part of America’s dreamlife, with or without David Frost; the Bush II legacy will linger for years, even as W. addresses a yearning for closure. Like our president-elect, Milk arrives from left…
Will there be a special Academy Award for Best Aryan Costume Design this year? Everywhere you turn in the movies, it’s swastika flags and SS uniforms. Although the Holocaust movie has been on hiatus for a while, lately it seems as if everyone is trying to squeeze in their Schindler’s…
The Wrestler may be plenty visceral, but it’s no more a sports movie than professional wrestling is a competitive sport. Chronic overreacher Darren Aronofsky’s relatively unpretentious follow-up to the ridiculous debacle that was The Fountain is all about showbiz. It’s also a canny example. You want to make a comeback…
For as long as it forges ahead without explanations, The Unborn works in its way, as a series of snap-cut gotchas introducing each new contestant in its pageant of cold-sweat set-pieces. Often, this involves starlet Odette Yustman approaching some obscured, inevitably terrifying figure from behind very…very…slowly. Yustman plays Casey, a…
