The Kingdom is the first film from Peter Berg since the actor-turned-director’s Friday Night Lights, which spawned an acclaimed, if struggling, franchise for NBC. There will be no small-screen spin-off of The Kingdom—there are too many corpses lying around to populate a sequel, much less a series. Besides, it would…
Knocked Up (Universal)Apparently, as Judd Apatow was making Knocked Up he was also prepping for its DVD release, as most of the bonuses here were shot during breaks on location. And they’re no small treats, either. Finally, here’s a “collector’s edition” worthy of the moniker. Chief among the bounty affixed…
Director Robert Benton, best known for his zeitgeisty divorce drama Kramer vs. Kramer, has tapped into more than a few current trends in Feast of Love. There are the interlocking mini-stories, à la Crash; the different color filters for different scenes (happy moments in yellow, sad ones in blue), à…
“Killer timing! Manda Bala (Send a Bullet), Jason Kohn’s vivid, lean-and-hungry documentary about São Paulo’s fatalistic food chain of extreme poverty, violence, unmitigated corruption and overwhelming wealth arrives just as Vanity Fair’s “Viva Brazil!!” issue hits the stands. Can’t we find a new country to fetishize? Trading once again on…
Saturday Night Fever: 30th Anniversary Special Collector’s Edition (Paramount) For all its camp-classic status as the ultimate disco-fever dream, John Badham’s movie truly is remarkable—a foul-mouthed, mean-streets masterpiece that just happens to feature a Bee Gees score that spreads like melted cheese 30 years later. And, of course, it contains…
After Hair, Hairspray and the mass marketing of tie-dye, can the ’60s be shrunk to fit any further? Yes, indeed, here comes Julie Taymor to run the revolutions of sex, class and race through the PG-13 sieve. Not that one turns to musicals for deep thought, but John Waters at…
Even the most adamantly anti-war movies about American soldiers returning from Vietnam—Hal Ashby’s Coming Home (1978) and Oliver Stone’s Born on the 4th of July (1989)—redeemed their mangled, embittered grunts through the love of good women, devoted parents, political resistance or all of the above. You can’t pin that kind…
In one of those karmic quirks of the film releasing calendar, actor-turned-director Griffin Dunne’s Fierce People finally staggers into theaters (more than two years after its premiere in the Tribeca Film Festival) barely a fortnight after The Nanny Diaries, that other cautionary tale about a proletariat pea that works its…
The Graduate: 40th Anniversary Edition (MGM) Fifteen years after its last home-video commemorative edition (extras from which appear here), The Graduate once more gets the bonus-laden makeover—and if ever a movie deserved its kudos, it’s Mike Nichols’ masterwork. That said, the movie is its own bonus; not since its release…
Until 2005, Richard Shepard’s was a lamentable direct-to-prop-plane filmography populated with such forgettable titles as Cool Blue, Oxygen, Mexico City and The Linguini Incident, the latter of which was a heist film most notable for pairing David Bowie and Buck Henry—and that’s not even a punch line. For a while…
I’ve said it before and hope to again: David Cronenberg is the most provocative, original and consistently excellent North American director of his generation. From Videodrome (1983) through A History of Violence (2005), neither Scorsese nor Spielberg, and not even David Lynch, has enjoyed a comparable run. A rhapsodic movie…
In the new Neil Jordan movie, Jodie Foster plays New York talk radio DJ Erica Bain, who survives a vicious Central Park mugging and becomes an urban crusader devoted to cleaning up the city—with a Glock instead of a broom. Yes, The Brave One is that movie: the one with…
Late at night, alone in the woods, a group of film students at work on a no-budget horror film called The Death of Death are interrupted by — the death of death. Reports of animated corpses feeding on human flesh come over the radio and are met with nervous skepticism;…
The exemplary achievements of the 2007 Toronto International Film Festival succeeded by two means: either narrowing the gap between author and subject in pursuit of intimate effects, or else working distance into the material and profiting from the vantage. Contemporary neorealism at its most confident and alert, Chop Shop finds…
Huffing and puffing to resuscitate a long-moribund genre, James Mangold manages to imbue a 50-year-old Western with the semblance of life. Mangold’s remake of 3:10 to Yuma isn’t as startling a resurrection job as his Johnny Cash biopic, but it does send a saddlebag full of Western tropes skittering into…
There have already been critical rumblings about the extreme violence in Shoot ‘Em Up, but it’s hard to get too worked up about a film whose very title announces its maker’s intent and which opens by raking the New Line Cinema corporate logo with machine gun fire (a gesture long…
1. Balls of Fury is a movie about: a. A former table tennis prodigy (Dan Fogler as Randy Daytona) enlisted by the FBI to infiltrate the underground ping-pong tournament of a legendary Chinese criminal (Christopher Walken). b. Suppository jokes. c. Little worth discussing and even less worth seeing. d. All…
The Office: Season Three (Universal)After a shaky first season and a better-with-every-episode second, The Office proved itself one of the most consistent comedies in the history of the medium. The show has long since escaped the shadow of its BBC forebear and boasts an ensemble from which you could pick…
Sundance signals, for better or worse, the state of American independent filmmaking. Cannes keeps faith, for those who still believe, with the cinema d’auteur. And Toronto? The largest and most important film festival in North America seems to do nearly as many things as there are movies to see—349 in…
It’s pretty much a toss-up which I love more: gorging on cinema or getting up at noon. And so, on the first day of the Toronto International Film Festival, in lieu of contemplating Bela Tarr’s The Man from London, I lingered in my pajamas anticipating Delta Chelsea’s The Breakfast from…
Year of the Dog (Paramount Vantage) It’s just about the First Commandment of Hollywood: Don’t kill the dog. So it’s a testament to the clout of writer-director Mike White (School of Rock) that killing off the dog is the first of many rules broken in this weird-ass movie. Folks fooled…
This is a mockumentary, right?” I’ve been asked that question at least a dozen times since The King of Kong: A Fistful of Quarters made its bow at the Slamdance Film Festival in January. Quite simply, some folks just don’t believe that Seth Gordon’s film about two men vying for…
