The appeal of a quirky little Norwegian film called Kitchen Stories arises from the unlikeliest of sources–a series of domestic studies conducted in the early 1950s by a group of Swedish efficiency experts. The mission of the Home Research Institute, as far as anyone could tell, was to chart the…
Oh, dear. Angelina Jolie’s made another bad film. Is it too soon to give up on her yet? There’s no denying that Jolie is sexy as hell. The tattoos, the knife collection, the exhibitionist streak, the bisexual vibe she gives off…totally hot, no question. Given her work with the U.N…
If you were a college-aged East Berliner in October 1989, chances are that your time was occupied by one of several things. Protesting comes to mind, as does hacking at long-reviled concrete. Perhaps you caroused, or lit fireworks, or sang with joy as you coursed through the newly open streets…
Eternal Sunshine of the Spotless Mind, in which a man has recollections of a soured relationship erased from his brain, may be the most romantic movie in recent memory, if you will pardon the unforgivable pun. Written by Charlie Kaufman and directed by Michel Gondry, it’s about many things–how we’re…
Remember Omar Sharif? He’s been all but absent from the silver screen in recent years (though he has been seen–or at least heard–on television). According to the actor, he left the trade by choice: “Let us stop this nonsense, these meal tickets that we do because it pays well, unless…
It’s a bit unorthodox to ladle superlatives all over a film in the opening paragraph, but The Reckoning deserves them. Moving, gripping and powerful, suspenseful, stylish and literate, this exploration of justice and art may be set in 1390s England, but it resonates today. This is a brilliant and unpretentious…
The problem with Spartan isn’t so much that it’s mediocre, but that it could be a whole lot better. Unlike writer-director David Mamet’s last movie, Heist, a film with such a generic plot and predictable Gene Hackman performance that it never had a chance, Spartan has a reasonably compelling story…
If you were expecting the first film to emerge from Afghanistan since the defeat of the Taliban to be even remotely celebratory, you’ll have to adjust your expectations. Radically. In Osama, filmed in 2002 and 2003 in a “suburb” of Kabul, writer-director Siddiq Barmak is not interested in showing us…
Maybe the most amazing thing about the big-screen version of Starsky & Hutch is how much smaller it feels than its predecessor, the William Blinn-created, Aaron Spelling-produced cop series that ran on ABC from 1975 to ’79. Everything about this cineplex variation feels rinky-dink, like some extended variety-show skit that…
At first glance, Hidalgo seems to be nothing more than an old-fashioned, flat-footed adventure epic plunked down on a vast stretch of desert and amply furnished with the usual Hollywood conventions–a strong, silent cowboy on horseback, a couple of villains with nasty black mustaches, a killer sandstorm and a cloud…
It is so very nice when a movie completely outstrips the expectations conjured by its trailer, as is the case with The Dreamers. At first blush, this tale of three passionate youths caught up in the late-’60s Parisian countercultural revolution looked downright trite. Never mind that esteemed veteran director Bernardo…
This Jew has spent several hours in the past week reading all four Gospels, as well as various supplementary (and often inflammatory) texts, upon which Mel Gibson based his The Passion of the Christ. I’ve read the interpretations of scholars, the apologias of popes and the damnations of zealots. I’ve…
This is not a good movie. Dirty Dancing: Havana Nights is, in fact, a bad movie. The script bleeds one cliché after another; the female lead can’t fire up the heat necessary for her role; and the plot resolves nearly every conflict it introduces within minutes. Worse, even as the…
Seldom over the course of a relatively storied career has Gene Hackman garnered sustained laughter in films billed as comedies. He’s wondrous at playing virtuous or wicked, paternal or pissed-off, but never quite comfortable in the role of comedian; he may be an actor of uncommon range, able to communicate…
It’s clear by now that Meg Ryan, the bubbling sweetheart of half a dozen romantic comedies, means to bring new substance and seriousness to the latest phase of her career. Witness the lonely New York English teacher she played in last year’s brainy slasher flick In the Cut. In no…
So this grown man walks into another teen girl movie. He is not stunned to learn that it concerns clothes, fun, clothes, peer pressure and clothes. The world outside can be ugly as hell, though, so he commences with the cynicism on low. This particular teen girl movie is not…
Some acts of courage command everyone’s respect–the firefighter’s return to a burning house to rescue a child, the infantryman’s sacrifice of self for a wounded comrade, the weary black woman’s refusal to yield her seat on a segregated bus. Sometimes, though, courage can seem clouded–especially when it’s a response to…
There have been copious books written about architect Louis I. Kahn, whose monumental creations were like ancient Roman buildings transplanted into some near-distant future. His structures, among them the Salk Institute for Biological Studies in La Jolla, California, and the Kimbell Art Museum in Fort Worth, made him among the…
Highwaymen is much like its villain, a former automobile insurance man who cruises the nation’s freeways in search of young women to run down in order to create his own brand-new crash photos. Behind the wheel of his ’72 El Dorado, Fargo (Colm Feore) is an amalgam of the hinges…
With 50 First Dates, it seems as though Adam Sandler is trying to compile a greatest-hits film, cobbling together the stuff that worked in his previous films in hopes that it’ll play even better all in one go. There’s the falsetto comedy-song bit from every episode of Saturday Night Live,…
At the opening of The Fog of War, the brilliant new documentary from director Errol Morris, we see a composed, sharply groomed and middle-aged Robert McNamara preparing to brief the press on the Vietnam War. He asks two questions: First, if the chart he’s set up is visible, and second,…
On its surface, Jose Padilha’s absorbing documentary Bus 174 shows us how a homeless 21-year-old named Sandro Rosa de Nascimento hijacked a city bus in Rio de Janeiro on July 12, 2000, how he took 11 passengers hostage at gunpoint and became the raving centerpiece of a five-hour urban drama…
