Hart’s War, like most mediocre films, is little more than a movie about the movies. Set in a POW camp during the final months of World War II, it owes much of its existence to far superior films, chief among them La Grande Illusion, Stalag 17 and The Great Escape;…
After a long absence from American screens, British stage director Richard Eyre makes his return with an alternately depressing and uplifting drama about Dame Iris Murdoch’s descent into Alzheimer’s disease and the heroic efforts of her husband, John Bayley, to care for her, despite his own advanced age and generally…
Every couple of years, it seems, we’re obliged to get at least one documentary that provides the revelation that porn stars just aren’t happy people. So now we know John Holmes was a drug addict and a criminal, Annabel Chong cuts herself and Stacy Valentine will submit to every surgical…
In case the season has you feeling shamefully joyous, here’s a stark little oasis of misery to remind you that America sometimes sucks and its denizens aren’t all heroes. Featuring painstaking attention to the copious warts of this big, proud country, Monster’s Ball moseys down South to issue the staggering…
Part comedy, part tragedy and all bite, No Man’s Land damns and mocks in equal measure, painting a picture of war’s absurdity that should make peaceniks of us all but likely won’t. Although set in the former Yugoslavia during the Bosnian-Serbian war, the movie transcends its geographic borders: Bosnian-born writer-director…
If they teach the work of Todd Solondz someday, assuming he’s not already in the curriculum somewhere, the lectures are bound to be rather short. To grasp the material without actually attending, just bone up on a little bargain-basement Freud, a whiff of primal therapy and a sprinkle of Jerry…
Though he takes a beating early on, watching his wife and son die in an embassy bombing carried out by Marxist, drug-running Colombian terrorists, it isn’t long before Arnold Schwarzenegger is striding through the jungles of Colombia as if on a Stairmaster, ignoring admonitions that to do so is “frickin’…
A bland, obnoxious 88-minute infomercial for Universal Studios and its ancillary products, chief among them birthday boy E.T. (due for re-release this spring) and the studio tour, this is a kids film for children who won’t shut up; it’s loud enough to be heard over the deafening chatter of restless…
This epic series of 10 hour-long films, each based on one of the Ten Commandments, finishes up with a rare note of whimsy. But first Kieslowski revs up the emotional wringer one last time for episode IX, “Thou shalt not covet thy neighbor’s wife,” in which a doctor must face…
You’ve got to hand it to any romantic comedy that makes The Mexican and the Sweet November remake seem like enduring classics, which appears to be the chief objective of Birthday Girl. This slipshod sophomore effort from Jez Butterworth (Mojo) has been sitting on the shelf since its original release…
Despite an energetic performance from Rushmore’s Jason Schwartzman and a flash of nudity from Pearl Harbor babe James King, Slackers sucks. There’s simply no one to like: Schwartzman’s lovesick nerd Ethan is revealed to be an obsessive psychopath, while the cool guys he must compete with for the love of…
In May 1997, conductor Zubin Mehta recruited Zhang Yimou (Raise the Red Lantern) to mount a stage presentation of Puccini’s final opera, Turandot, which was based on an old Chinese story. “Usually,” Mehta says, “Turandot is full of Chinese clichés…it looks like a big Chinese restaurant.” So it seemed like…
Sometimes the cinema is just heavenly, and this is one of those times. Returning in a beautifully restored print, with new subtitles, is Federico Fellini’s first color masterpiece (from 1965), bursting with unruly insights on ardor and release. The director’s stout and gleaming wife, Giulietta Masina, plays the leading lady…
Originally made for Polish TV in 1987, and seen only sporadically at special festival and museum showings, Kieslowski’s epic series of 10 hour-long films, each based on one of the Ten Commandments, continues with two episodes. Episode VII, “Thou Shalt Not Steal,” raises the question of whether or not it’s…
To call a movie the most accessible Dogme 95 film ever made is not merely damning with faint praise. It also threatens to alienate the two segments of the population that might consider going to see such a film in the first place: fans of the back-to-basics, no-frills-of-any-kind Danish filmmaking…
All those war epics the big movie studios are rushing into release are certainly meant to reflect the present national mood, and if We Were Soldiers or Behind Enemy Lines or Black Hawk Down also happens to strike it rich, that will be fine with the box-office bean-counters. It was…
Sean Penn began 2001 by directing one of the year’s most deeply felt films, The Pledge, in which a frazzled, disconnected Jack Nicholson played a retired cop obsessed with solving the rape and murder of a young girl. He ended it by acting in one of the year’s most woefully…
The air of danger that surrounds Catherine Breillat’s Fat Girl (À Ma Soeur) never lets up, which is unusual for a film that doesn’t mean to be a thriller. Rather, it’s a merciless look at adolescent insecurity, the mixed signals of emerging desire and the ruthlessness of carnal gamesmanship that,…
There is nothing terribly wrong with Kevin Reynolds’ The Count of Monte Cristo, which the Internet Movie Database lists as the 18th remake of Alexandre Dumas’ tale of innocence betrayed and avenged. It is neither a drag nor a gas; it neither betrays its source material nor adheres too slavishly…
Australian director Ray Lawrence (best known here for the quirky 1985 comedy Bliss) provides some high-toned soap opera nicely flavored with a touch of suspense and some well-timed jolts of humor. Playwright Andrew Bovell’s busy, busy screenplay is crammed with philandering police detectives, grief-stricken psychoanalysts, traumatized gay men, gloomy husbands…
Miguel Piñero was poet, playwright and actor–and thief, liar and junkie. He was in Sing Sing by his early 20s, the iconic leader of New York’s Puerto Rican artistic movement by 30, a dead junkie by 40; yet the causes for Piñero’s life trajectory remain largely unanswerable. Leon Ichaso’s new…
Just in time to take our tired minds off the twin terrors of Osama and Enron comes The Mothman Prophecies, an enjoyable, if utterly stupid, upscale entry in the old Amityville Horror genre. (That is, a horror film allegedly based on spooky and inexplicable real-life events.) The fashionable sheen is…
