Dallas Theater Center Scores Touchdown with Colossal

As a play about football, but not just about football, Colossal packs more action and drama into its four 15-minute quarters (plus 10-minute “halftime show”) than most actual games. Now running at the Wyly Theatre, Dallas Theater Center’s production of Andrew Hinderaker’s 75-minute drama-with-dance, staged by DTC artistic director Kevin…

Prism Co. Paints You a Play In Its Namesake Show

All painting isn’t an act of theater, but it can be. Which is why the next Prism Co. show sounds as much like a live painting event as it does a play. That’s the wonderful thing about this young, upstart company: They aren’t just stretching the definition of what theater…

Granbury Theatre Company’s Spamalot Is Bright and Breezy

Like the canned meat product for which it’s named, the musical comedy Spamalot is a funny-looking conglomerate of weird ingredients, some easily identifiable, some a bit gross. Granbury Theatre Company, the community-based troupe at the historic Granbury Opera House south of Fort Worth, has a tasty fry-up of Monty Python’s…

Video: Behind the Scenes at Shakespeare in the Bar

“This isn’t your English class’ Shakespeare,” Katherine Bourne says in our new video of Shakespeare in the Bar, the wildly popular theater series at Wild Detectives. She’s right about that. We’ve told you how much fun we’ve been having at these pop-up theater performances at the bookstore/coffeeshop/bar in the Bishop…

The Fewer the Merrier in Theatre Three’s Frenetic Hot Mikado

The fewer people onstage in Theatre Three’s heavily populated Hot Mikado, the more fun the show. A 1986 adaptation by David H. Bell and Rob Bowman of an even older jazz version of the Gilbert and Sullivan operetta, this one is directed and designed with an emphasis on frenetic movement…

Agatha Christie Mystery Is a Hit for Theatre Britain

Agatha Christie’s 1943 whodunit And Then There Were None is packing them in at Plano’s Cox Building Playhouse. Audiences love a well-done mystery and this one, creaky as it is, and so repetitive in its three acts that you might wish the murderer would kill faster, is sufficiently entertaining…

DTC’s School for Wives Marries Quaint Rhymes with Broad Acting

How much you’ll enjoy Dallas Theater Center’s production of Molière’s The School for Wives might depend upon your tolerance for rhyming dialogue. Can you stand an evening of rhyming couplets without the urge to throwy uplet? It’s a quaint old thing, this 353-year-old French comedy about one man’s desire to…