If Grace Kelly had been raised by coyotes, she might have stalked the screen like Focus’ Margot Robbie, a va-va-voom blonde with bite. Robbie is too beautiful to play normal, too sly to play nice. Miscast as a shy saint in Craig Zobel’s upcoming Sundance hit Z for Zachariah, she…
Sport is a natural metaphor for war. Two sides in two colors face each other on a field, each with its pride and physical safety at risk. Their leaders scheme plans of attack, drawing arrows toward the enemy’s flank. And backing the teams in the stands — or, more often,…
Ten years ago, Wellington, New Zealand, was less welcoming of vampires. When Jemaine Clement and Taika Waititi, two unknown comedians, walked the streets in velvet frocks and ruffles for a 2005 sketch, dudes would drive by and scream homophobic slurs. Says Clement, “We were constantly abused.” Over the next decade,…
A year in the making, ESPN’s 30 for 30 short film chronicling the rise and tragedy of Dallas’ famous Von Erich wrestling family is set to air at 5 p.m. Friday. The news, confirmed by D Magazine and Kevin Von Erich on Twitter marks a new addition to the long…
There was an awkward moment between Fifty Shades of Grey star Dakota Johnson and her mom, Melanie Griffith, on the red carpet before the Oscars on Sunday. But the world got to see Johnson’s impressive talent for pretending uncomfortable situations don’t seem to bother her (see also: Fifty Shades of…
Kevin Costner eases white America into the now with McFarland, USA, we hear about the Berlin Film Festival’s highs (Queen of Earth) and lows (Knight of Cups), and dip into the lukewarm waters of a second Hot Tub Time Machine movie. Also, there’s much praise for teen comedy The DUFF…
American Sniper notwithstanding, the first fresh multiplex trend to emerge in 2015 is Old White Dudes Learning How to Share Their World. First came Kevin Costner in the sour Black or White, playing a coot who discovers that black folks love their kids, too, even in South Los Angeles. Who…
It seems as if, for every 10 issue-oriented documentaries that essentially function as long-form magazine articles with images attached, we get perhaps one doc that exemplifies the methods of “direct cinema” — the observational mode of documentary filmmaking that allows audiences to observe from a detached remove. That mode is…
Here at last is peak Kendrick: In intimate long takes and in comic montage, she belts, hurts, swoons, and rages, always remaining appealingly human. You can tell, when Anna Kendrick scraps for her big notes, that she’s not a natural, that she’s working hard, that she’s living a dream. All…
Five years ago, four losers passed out in a jacuzzi, boiled back to 1986, healed their past wounds, rocked out to Poison, and returned to their timeline as gods. Thusly, Hot Tub Time Machine director Steve Pink was hailed as a minor deity: He’d taken a dumber-than-huffing-hairspray premise and made…
Shove off, John Hughes. The DUFF, a high school comedy by Ari Sandel, opens by declaring that The Breakfast Club’s social categories are, like, way passé. Explains lead Bianca (Mae Whitman), “Jocks play video games, princesses are on antidepressants, and geeks rule the world.” Today, be ye goth kid, science…
Empire most certainly wasn’t built in a day, but its reputation as a breakout hit has been made in virtually no time at all. Since the series debuted six weeks ago, every episode has drawn more viewers than the one before it. Buoyed by positive reviews and especially word of…
BY MICHAEL ATKINSON In the olden days, what month it was never mattered to movies. But today the late winter months are well-known as a weedy boneyard of mouth-breathing Hollywood castoffs, and we explore it at the cost of our patience, time, shekels and optimism. For the love of everything…
Those more devoted to the genre can debate whether Matthew Vaughn’s Kingsman is the best comic-book movie of the last few years. What’s beyond argument, however, is that Vaughn has whipped up the most interesting one, the only to make ferocious, unsettling art out of the great contradiction of superheroic…
Even fans of Fifty Shades of Grey admit the book is a literary atrocity. Novelist E.L. James’s erotic reveries read like the rantings of a drunk yokel — less “His firm hands cupped my breasts” and more “Holy crap! He’s touching my boobs!” The story is simple: 21-year-old virgin Anastasia…
Fifty Shades of Grey is opening is nationwide, and in New York, Village Voice film editor Alan Scherstuhl connects via the magic of the Internet with LA Weekly film critic Amy Nicholson discuss the hotly anticipated movie starring Jamie Dornan and Dakota Johnson, adapted from the E. L. James novel…
The steps leading to the altar of Terrence Malick are practically a safety hazard, cluttered as they are with assorted offerings of frankincense and myrrh, bouquets draped with sashes that shout “Good job!” and perhaps a virgin sacrifice or two. Critics and certain moviegoers love him that much, which explains…
BERLIN — Riding from the Berlin-Tegel airport to my hotel on a crisp, sunny day last week, my cab passed the magnificent golden angel statue known as the Victory Column, a monument erected by the city in 1874 to commemorate assorted Prussian military victories of the day. But people all…
By Stanton Brasher One of DFW’s longest-running festivals, The Thin Line Film and Music Festival, returns this month with a mouth-watering slate of international selections. From the Rangerettes of Kilgore, TX (“Sweethearts of the Gridiron”) to the inner thoughts of children all over the world (“I am Eleven”), Thin Line…
BY INKOO KANG (Heavy spoilers for the pilot; very light spoilers for the second and third episodes.) There’s more than one way to start a revolution. You can get high off your own sense of righteousness and authenticity, as celebrity chef and Fresh Off the Boat memoirist Eddie Huang recently…
Even if you’ve never seen or heard of a movie called She Killed in Ecstasy, isn’t it lovely to know such a thing exists? That 1971 eroto-thriller was a creation of prolific Spanish-born writer-director Jess Franco, who had a lasting career making florid B movies with sordid plots and voluptuous…
Where we come from defines us more than we realize: That’s the idea implicit in Andrey Zvyagintsev’s somber, sturdily elegant drama Leviathan, in which a mechanic who has lived on the same parcel of land all his life — as his father and grandfather did before him — resists being…
