Bonus MP3: Faux Fox — “Dirt City Rollers”

Last week, we told you where to find some of the already-leaked tracks from Faux Fox’s latest , All That Remains. And, in this week’s paper, Ms. Merritt Martin went ahead and reviewed said disc, calling it “a more dynamic, more dramatic, but equally tongue-in-cheek effort” than Faux Fox’s earlier…

“Don’t Drop The Soap” Dropped

Nice lineup, but it ain’t happening. At least, not this weekend. Unpaid taxes forced Bar of Soap, Exposition Park’s venerable rock club/laundromat, to shut its doors last weekend, and owner Charlie Gilder is doubtful that he’ll be able to open this weekend either. That’s a tough break for the bar,…

Dirty Talk

You’d think that, after 20 years of hearing his band described as the quintessential grunge group, Mudhoney frontman Mark Arm might have succumbed to the inherent weight and common associations of the term. Yet Arm (real name McLaughlin) disputes the word “grunge” as applied to his band, and he doesn’t…

Lee “Scratch” Perry

Onstage and in interviews, Lee “Scratch” Perry’s persona is a mix of giddy surrealism, folk wisdom, apocalyptic theology and simple crudity (fart jokes, raw sex talk). And while there’s fun to be had listening to him ramble, when you unpack his riffs, there are deep worries in there—his lines about…

Stereolab

In the ’90s, Stereolab albums were charming junkshops selling rock history’s neglected treasures, mainly ’60s French pop and ’70s Krautrock. This decade, on one chirpy release after another, the London-based group’s extreme stylistic conservatism has been laid bare, its retro-rock demoted from “ironic” to merely “vintage.” And just like a…

Sensory System

James Mulhern, guitarist/vocalist of What Laura Says Thinks and Feels, speaks of his first concert experience with pride. It was a Bon Jovi show; Mulhern was in the ninth row, and it was “pretty badass.” The rest of the band, meanwhile, has no qualms about listing the “skin flute” as…

Pet Peeves

Influence is a funny thing. Unlike inspiration, which can strike at any time, influence seems to follow the trends of what’s hot in music. It’s rare for an act to dip into the music history archives and pull out an interesting, ear-catching influence without others quickly following suit. This happens…

Something For Nothing

Earlier this year, Radiohead released its latest album, In Rainbows, on its Web site using a pay-what-you-wish model. A few months later, Nine Inch Nails released Ghosts I-IV employing a similar scheme, only with more business savvy: There was a tiered scale with prices ranging from free (low-quality digital audio…

Red Monroe, Baboon, Pikahsso and Tahiti with Glen Reynolds

It’s quite appropriate that such a diverse lineup would play at the closing party for the Jason Janik exhibition at Kettle Art Gallery. Over the past decade, Janik’s photgraphy has captured striking images of musicians ranging from Tripping Daisy and Dimebag Darrell to, um, Vanilla Ice and an amazing shot…

Janiva Magness

The old adage is that folks who excel at playing the blues are the ones who have lived the blues. Coming from Los Angeles (by way of Detroit), Janiva Magness is a blues/R&B diva that has more than paid her dues over three decades of recording and performing. And, perhaps…

Why?, Mount Eerie, Fishboy

Jangle-rap? Pop ‘n’ roll? Rock-hop? Whatever the label, Oakland’s Why?, the delightfully subversive trio led by Yoni Wolf, raises the bar for innovation yet again with Alopecia. The follow-up to 2005’s Elephant Eyelash, it finds Wolf and company (joined this time around by Andrew Broder and Mark Erickson of Fog)…

Common, N.E.R.D.

Although Common is eager to discuss the future of his burgeoning acting career—”I want you to be able to say, ‘Common’s one of the great actors of our time,'” he says, with all earnestness—the two-time Grammy winner (he’s been nominated 11 times) is still best known for his socially conscious…

The New Year

In the 16 years since the “Bedside Table”/”Living Well” 7-inch scored a direct hit, Los Bros Kadane (Matt and Bubba, where you been?) have never disappointed and always delighted—astounded, even, by which I mean usually. Theirs has always been a singular brand of quiet-loud-LOUDER that, upon first impression, felt a…

Faux Fox

Faux Fox’s latest, All That Remains, will make you want to fashion some sort of bizarre shrine to Gary Numan, Depeche Mode, irony and tight pants using decoupage and fake fur. It’ll make you want to fuck around on your SK-1 and record brazenly self-indulgent lyrics in your bedroom while…

Be There: Carter Albrecht Memorial Show At Club Dada Tonight

Tonight, starting at nine o’clock at Club Dada, Salim Nourallah, Chris Holt and countless other prominent area (and returning) musicians who knew and loved Carter Albrecht (full line-up after the jump) will be hosting and performing at a special one-year anniversary memorial show for their fallen-but-hardly-forgotten friend. Albrecht, known around…

Bonus MP3: The New Year — “The Company I Can Get”

Los Bros. Kadane…and friends…The New Year. (Allison Smith) In this week’s paper, which is already either at or near an Observer rack near you, you’ll find Robert’s take on the brand spankin’ new self-titled record from The New Year. As you all should know, The New Year is the most…

Clearing Out the Mailroom: Wednesday, September 03, 2008

We’ve got quite a backlog of CDs we’ve never gotten around to, so we’re going to try to chip away at the pile with this regular feature. Some are left over from previous music editors, others fell by the wayside because they were trumped week after week by albums that…