Electronica is an infant genre compared to most, its creation depending solely on tools and instruments designed in the last half of the 20th century.
And its interpretation is constantly evolving.
Because, even though it remains relatively new type of music, there remain some distinct differences between electronic production of the post-millennial era as compared to the music of the previous century. And it's all thanks to one thing, no doubt: The increased availability and affordability of computer technology.
As the digital revolution took hold over the last few decades, more and more electronic music began making its way into mainstream culture. It's not tough to understand why; people just started picking up the mixers and beat pads and saying, "Hey, I can do this too." As a result, we've reached a point in modern music where teeny-boppers and soccer moms alike jam electronic songs that previously would have been playing in a club.
Still, as technological progression continues, so does the progression of electronic music. The genre is diversifying every day, with new branches of sound and unprecedented infusions of music arising.
In other words: No, not all electronic music is techno.
So, as your prepare for the upcoming Identity Festival's stop through town at the Gexa Energy pavilion on Sunday, August 28 -- and, believe us, we're going to be keeping you plenty prepared for that festival -- we figured it high time to take a closer look at the slight differences in blips, womps and various tempos that help classify various performers into separate, distinct subgenres of electronic music.
Already lost? Don't be. Just hit the jump for our Beginner's Guide to Electronic Music, and we'll carefully navigate you through these robot-infested musical waters.