Pierce The Veil Tour in Dallas: Drenched in Sweat, Loud Decibels and Unity at Sold-Out Show

On Friday, June 13, a crowd of nearly 20,000 turned Dos Equis Pavilion into a sweat-drenched testament to punk sincerity, where the only rule was to sing your heart out. From sunburned teens in mesh tights to twenty-somethings in their best Hot Topic-inspired armor, the sold-out stop of Pierce The Veil’s I Can’t Hear You World Tour transformed Dallas into a storm of camaraderie and controlled chaos.

The night opened with Beach Weather, ushering the crowd into a chilled buzz with their breezy alt-indie sound. Their anthem “Sex, Drugs, Etc.,” an 88.1 Indie favorite, set a carefree tone as fans swayed and bounced to the dreamy rhythms. For many, it was the ideal prelude to the high-energy chaos that was to follow. The lawn crowd flared to life in tandem with the band, their excitement simmering quietly beneath the surface but ready to boil over.
When Kellin Quinn of Sleeping with Sirens stormed the stage next, the simmer turned to a euphoric roar. “Dallas, I hope you brought everything you’ve got tonight!” he said to the audience, his tone equal parts an invitation and a challenge. With his jaw-dropping range and impossible vocal acrobatics, Quinn commanded every square inch of the Pavilion and every ear within reach. His flits between heart-wrenching melodies and unrelenting guttural screams sent shockwaves through the crowd, who matched his energy right back.

The band poured gasoline on the fire, making the crowd want more with a high-octane performance, complete with Quinn’s darting sprints across the stage and a signature move of pointing at fans to make them feel like co-conspirators in the night’s rage. But the showstopper came when Quinn slowed things down, serenading the crowd with an acoustic cover of the Goo Goo Dolls’ “Iris.” Suddenly, the raging tide softened, and the Pavilion became a quiet chapel of voices united as one. It was a moment of aching beauty amidst the punk whirlwind, and as the last chord faded, it was clear the band had left a mark on Dallas.

Finally, the night belonged to Pierce The Veil. Starting their set with blistering confidence, the San Diego band built a delicate balance between explosive energy and moments of intimacy. Tracks like “Bulls in the Bronx” had the audience jumping as one unstoppable current, while the stripped-back acoustic rendition of “Today I Saw the Whole World” offered a reflective pause.

Pierce The Veil didn’t stop at sound alone; they painted the night with light and motion. Six box-like stage lights hovered like alien spacecraft over the band, casting surreal patterns across the Pavilion. Frontman Vic Fuentes, at one point, picked up a megaphone, illuminated like a relic of some punk prophecy, while guitarist Tony Perry thrilled the crowd by helicopter-whipping his guitar around his neck. Every visual surprise pumped the crowd's energy higher, even in moments between songs. Often, they would pause just long enough to create a haunting vacuum of silence, only to fill it seconds later with thundering riffs or flashing effects.

Dallas, for its part, delivered a crowd that felt just as much a part of the show as the band. Bodies thrashed and jumped in unison, energy ringing from the front row to the back of the venue’s lawn. A standout moment came during the performance of “Circles,” when fans held up their phones with green or purple filters over the flashlights that were given out before the show, casting an eerie, ethereal glow over the Pavilion. These moments felt like an unspoken communion between the band and the crowd, tied together by a shared heartbeat of sound.

The encore brought the night to its uncontested climax. “Dallas,” Fuentes called out playfully. “Have you lost your voice yet? Don’t worry; there’s still time.” Moments later, Kellin Quinn returned to the stage, joining the band for their iconic anthem “King for a Day.” The scream-laden chaos was a fitting end to a night drenched in controlled, euphoric disorder. Fans thrashed and screamed along so ferociously it felt as if the echoes might break through the sweaty Dallas night and spill into the stars.

As the final notes unraveled and the band took their bows, the crowd stood united, applauding not only for the music but for the shared experience. The heat had cooled, the chaos had subsided, but the seismic energy left by Beach Weather, Sleeping with Sirens and Pierce The Veil would echo long after the last phone light dimmed and the Pavilion lawn emptied.

See more photos from Friday's show: