All right, you caught us. There are only two IMAX theaters in Dallas, but each one has its advantages, its charm, its je ne sais quoi. While The Science Place generally sticks to more, uh, duh, scientific films, the Cinemark goes for the flash and hype. It's The Magic of Flight vs. Cirque du Soleil's Journey of Man, or Wolves vs. Siegfried and Roy. (If only that last match-up were real.) The Science Place has the huge, domed screen whereas Cinemark has a flat, rectangular screen like regular theaters, only with 3-D capabilities. The Science Place has that neat film of a helicopter tour of Dallas. Cinemark has traditional movie theater snacks. Both will end the year with a second run of Fantasia 2000.

We can quibble with Magic 102's haphazard sense of history in its programming choices--does '80s Madonna, however much a dance-floor mainstay she was then, really deserve so much airplay alongside Donna Summer, one of the greatest pop singers of the past 25 years and one of the canniest, a woman whose endless string of Giorgio Moroder-produced hits enjoys much-deserved new life among the station's "Jammin' Oldies"? We're also sick of hearing Rick James' "Super Freak," among the most repeated oldies offered here. But overall, this expansive menu of '60s, '70s, and '80s soul, disco, and R&B comes up a winner every couple songs. You can't hear the Rev. Al Green's majestic love sermons with such frequency anywhere else on Dallas radio, nor the sweaty efforts of James Brown, Wilson Pickett, Aretha Franklin (less "Respect," please, and more "Rock Steady"), Sly and the Family Stone, and Martha and the Vandellas. Although the corporate radio format forbids experimentation, we think Magic 102 FM would only gain listeners if its list expanded to fill the genre's under-respected genius outsiders--Etta James, Labelle (anything besides "Lady Marmalade"), Irma Thomas, Little Milton, Parliament Funkadelic, and Ann Peebles, to name just a few.

She might look like your benevolent aunt, but Anne Carlson is a pit bull. Her quiet but determined approach to uncovering the sleaze of City Hall politics is a refreshing change from the E-histrionics of Sharon Boyd or the eco-tinged good government babble of the Green Party types. They are her allies, but she puts the best foot forward with a more professional approach. She knows the fight isn't about herself but her issues, and she sticks to them tenaciously. As a champion of electoral reform and government ethics, she seldom misses an important meeting and always has coherent material to back her positions. Combine that efficiency with her smarts and even temper (even when goaded), and you have a badass gadfly who could possibly drive real change in Dallas politics. The odds are stacked against her, but hell, we can dream, can't we?

Hmmm...This category was impossible to nail, because we had to choose between the four-screen Inwood Theatre and the two-screen Cine. Both bring the latest in independent and foreign cinema to Dallas and are much appreciated by their patrons. Aesthetically, however, Inwood is tops. You have to give props to Landmark Cinema for keeping a beautiful vintage theater like Inwood in good working shape. But Inwood suffers in the comfort factor. The legroom upstairs leaves much to be desired. The Cine has more than enough legroom, and bless them for it, but lacks the architectural heritage (and full bar). Regardless, we're willing to deal with missing legroom to see our favorite films, and there is always something good at one of the two theaters. Until Landmark builds its proposed new mega-art house on McKinney, or the Lakewood dips full-tilt into the huge pool of edgier fare that never makes it to Dallas, these will be our haunts.

This was a tough category. Exactly how, we asked ourselves, should we judge Dallas' top news anchor? We finally nailed down our criterion: Whoever doesn't put us to sleep on the couch. Gloria Campos, practically a Dallas institution, has been around for a while, but she still fronts the most smoothly professional newscast in Dallas, even if it has gone softer in recent years by switching to a fuzzy, "Family First" focus. We're not going to chirp about how much we like her hair, make-up, or voice, but we think she's an engaging pro who has a genuine bond with her audience. While her handsome henchmen John McCaa and Scott Sams are both able TelePrompter readers (the three switch during the week), watch out when McCaa and Sams anchor the news together sans Campos! The Hunter-Brinkley thing just isn't working. We're catching Zs before weatherman Troy Duncan makes it onscreen.

Besides coming up with an undeniably sweet name, Art Prostitute founders Brian Gibb and Mark Searcy have come up with undeniably sweet things to go along with it. Like Art Prostitute, the most stylish art and design magazine around, geared toward building a new generation of art collectors. (It's a touch pricey at $20 but worth every cent because of the art prints--from Shepard Fairey, among others--that come with each issue.) There's also Art Prostitute, the duo's gallery that could one day be the epicenter of the North Texas arts scene the way the sainted Good/Bad Art Collective used to be, and it's already bringing in artists from all over, the kind of people you need to know about. Not to mention www.artprostitute.com, their Web site that acts as a tip sheet for everything that's worth checking out, be it music, art or whatever.

You might not have heard of Denton group Midlake, but Jason Lee has. Then again, you might not have heard of Jason Lee either, but that's a topic for another time. The actor-skater (you may remember him from such films as Chasing Amy, Mumford, Vanilla Sky and, yes, Almost Famous) swears it's one of the only bands he listens to. If you don't believe him, think of it this way: He came to town this summer on his own dime and spent a week shooting a video for their song "Balloon Maker." Before that, in May he hosted a Midlake show in London as part of an art opening sponsored by his skateboard company Stereo. So, if you were wondering, his money is, in fact, where his mouth is.

This is a tough one, because WFAA-Channel 8 still has Byron Harris and Brett Shipp, two of the consistently best investigative reporters in the market. But Channel 11's news team just seems to work harder and dig deeper day in and day out. Politicos and public relations types keep a close eye on Sarah Dodd's City Hall coverage to know what's up and what's coming. Steve Pickett provides smart, sharp coverage of the city's Byzantine public school system. Robert Riggs is a top investigative reporter. J.D. Miles is one of the city's most versatile general assignment reporters. Newcomer Jack Fink has hit homers on the police and terrorism beats. They've taken on top-flight journalists as their behind-the-scenes producers. And Tracy Rowlett, co-anchor and managing editor, always pushes his staff for that extra edge that makes them, we think, the best news show in town.

Readers' Pick

WFAA-Channel 8

Like comic books and graphic novels, customized motorcycle and auto art is underrated. The skill required to paint a flawless pinstripe by hand or to render Elvis' snarl on the body of a Gold Wing calls for the most delicate and gifted touch. Charles Arvin has that touch and is one of the most prolific "customizers" in the area. Sport bike stunters commission his work on their two-wheeled loves. He's created the most hypnotizing collage of American flags one has ever seen on a gas tank. Custom-car collectors call on him to flame the fenders of classics from the 1950s and 1960s. But Arvin's work isn't restricted to vehicles. Arvin also has to his credit a collection of paintings done of World War II fighter planes, and his wildlife paintings have a dynamic play of color and shadow, while every hair is represented and every leaf is crinkled just so. Arvin's portfolio feels like that of a tattoo artist. People entrust him with marking things dear to them, and his commitment to his work seems so much more dire, more serious than a painter of canvas works.