But the music fan in me would insist that maturation isn't the same thing as evolution; all Green's doing is moving from one cliché to another, from drinking songs to hangover melodies equating love with poetry, women with fallen stars and cigarettes and whiskey as the last pleasures of a man dying on the inside. In other words, loads of poor-poor-me songs and pour-pour-me-another-drink songs; also docked and knocked for using "redemption," the calling card of the affable and fortunate man who wants to be taken singer-songwriter seriously between swigs and smirks. "Elvis" suggests the next rung on the career ladder: gunning for the Dave Matthews Band crowd. You've been warned.