4
| Comedy |

A Dallas Writer Called Judd Apatow a "Johnny-come-lately" and It's Driving Me a Little Nuts

^
Keep Dallas Observer Free
I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Dallas and help keep the future of Dallas Observer free.

Alex Bentley over at CultureMap Dallas liked This is 40 less than I did, which is totally fine. He makes some solid points, including some that I touched on when I babbled in Apatow's general direction a couple weeks back.

But this strikes me as somewhat insane:

Judd Apatow is such a ubiquitous name in comedy these days that it's easy to forget what a Johnny-come-lately he is. Aside from a couple of one-offs in the mid '90s, he's only been in the business of making movies since 2004. And his directing career surprisingly consists of just four films.

All of which is to say that even though his star has risen pretty quickly, he has yet to prove that he can be counted on time and again to put out a quality product.

"Johnny-come-lately" is defined here as a "newcomer or latecomer, especially a recent adherent to a cause or trend." Apatow appeared on an HBO comedy special in 1992, when he was 25. He wrote for the Larry Sanders Show in 1993. The first movie he got produced as a screenwriter, Heavyweights, came out in 1995, and he was hired to write a JIM CARREY VEHICLE the same year. Do you know who was bigger in popular culture than Jim Carrey in 1995? No one. It went Carrey, Michael Jackson, Jesus, Bill Clinton, everyone else. In that order, give or take the Jesus-Clinton thing.

And he's a "latecomer?" To what? Making movies with this exact premise and title?

OK, part 2.

Even though his star has risen pretty quickly, he has yet to prove that he can be counted on time and again to put out a quality product.

Look, some people like some things more than other people like other things, and I'm comfortable with that. But here's Apatow's filmography, not including the TV he's done -- Larry Sanders, Freaks and Geeks, Girls and others.

There's some so-so stuff in here, to be sure. But an unreliable Johnny-come-lately?

I'll hang up and listen.

Keep the Dallas Observer Free... Since we started the Dallas Observer, it has been defined as the free, independent voice of Dallas, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Dallas with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.

 

Join the Observer community and help support independent local journalism in Dallas.

 

Join the Observer community and help support independent local journalism in Dallas.