^
Keep Dallas Observer Free
4

Podcast: Matthew McConaughey's Streak of Challenging Roles and Remembering Lou Reed

dallas-buyers-club.jpg
Matthew McConaughey and Jared Leto in Dallas Buyers Club.
On this week's Voice Film Club podcast, our critics discuss the upcoming Dallas Buyers Club, the late Lou Reed, 1983's Get Crazy, 1979's The Visitor, and 2008's In Bruges. Matthew McConaughey extends his streak of taking on challenging roles in Dallas Buyers Club (out November 1 in Not-Dallas cities), playing AIDS victim, entrepreneur, and ad-hoc activist Ron Woodruff.

"I used to hate [McConaughey] with an unholy passion and partly because I hated the characters he played who were just so smarmy and so certain they were so good looking and so charming," says the Village Voice's Zacharek. "And on one hand, you don't want to hold that against an actor, but it's like you have to assess actors based on what they put on the screen. And if those are the only kinds of characters he's playing, I feel that I was fully within my right to hate him."

"But now I always want to see what [McConaughey] is going to do next, and I love that. That's the best part of being a critic, is having an actor or filmmakers surprise you."

The Voice's Alan Scherstuhl wonders if the big studios can actually make a movie about AIDS where a gay person is the protagonist, noting that Buyers Club and Philadelphia are the only two big AIDS movies to come out -- yet in each film, the protagonists were straight men.

Zachrek also observes, "I love the way this movie refused to get all smushy-smush about Ron Woodruff's (McConaughey) relationship with the transexual Rayon played beautifully by Jared Leto. You almost don't even see the two of them become friends. I sort of love movies where a friendship evolves in something other than a montage."

L.A. Weekly's Amy Nicholson says of Buyers Club: "This film is really good at capturing all this uncertainty, where all his friends are unsure if they can share a beer with him. Nobody knew the 'rules' yet. The conversation has really shifted so much that I really enjoyed being stuck back there in that time."

The critics also stray from film for a segment, discussing Lou Reed, the musician who died on Sunday at age 71.

I Support
  • Local
  • Community
  • Journalism
  • logo

Support the independent voice of Dallas and help keep the future of Dallas Observer free.

Recommendations:

Zacharek recommends 1983's Get Crazy, which features Lou Reed, Scherstuhl recommends The Visitor, the 1979 sci-fi horror film which Drafthouse Films will re-release on November 1, and Nicholson suggests checking out 2008's In Bruges again, starring Colin Farrell and Brendan Gleeson. It's now on Netflix streaming.

Listen and subscribe to the Voice Film Club podcast.

Keep the Dallas Observer Free... Since we started the Dallas Observer, it has been defined as the free, independent voice of Dallas, and we would like to keep it that way. Offering our readers free access to incisive coverage of local news, food and culture. Producing stories on everything from political scandals to the hottest new bands, with gutsy reporting, stylish writing, and staffers who've won everything from the Society of Professional Journalists' Sigma Delta Chi feature-writing award to the Casey Medal for Meritorious Journalism. But with local journalism's existence under siege and advertising revenue setbacks having a larger impact, it is important now more than ever for us to rally support behind funding our local journalism. You can help by participating in our "I Support" membership program, allowing us to keep covering Dallas with no paywalls.

We use cookies to collect and analyze information on site performance and usage, and to enhance and customize content and advertisements. By clicking 'X' or continuing to use the site, you agree to allow cookies to be placed. To find out more, visit our cookies policy and our privacy policy.

 

Join the Observer community and help support independent local journalism in Dallas.

 

Join the Observer community and help support independent local journalism in Dallas.