Mirabelle isn't exactly new. It was forged from the leftovers of Francois and Catherine Fotre's La Mirabelle. Though the name is a retread as is largely the interior, the food is not. Gone is La Mirabelle's French fare, and in its place is a New American hybrid (and what New American sortie isn't a mongrel?) cobbled together from an odd assortment of influences, from French to South American to Nordic. From his shunning the use of olive oil (he prefers the neutrality of grapeseed oil) to his creation of ambidextrous fish ensembles that flirt equally well with red and white wines (Mediterranean branzini in a red wine emulsion), chef/owner Joseph Maher treads an odd culinary path, one governed by color swipes. Like olive oil, he eschews butter and cream because he says the inherent fats blunt and obscure the intrinsic flavors he seeks to draw out. In their place he employs fruit, a substitution he insists heightens freshness. Yet unlike the color in his art collection that splashes the walls of the restaurant, Maher's food is not drenched in bracingly intense fruit tones. Rather, his sauces are pervious cloaks that embrace rather than drape. Mirabelle is a pretty good squeeze.