If there's one thing the Choose Your Own Adventure books of our youth taught us, it's that you must look for the obvious clues. So if you're driving down Northwest Highway and come across Goforth Road, you should probably take the detour. Behind Flag Pole Hill you'll find White Rock Stables, a relic from the days when this part of Dallas was still out in the country. Sure, there's a horse or two that will amble up to the fence for a photo opportunity—beware, the beasts will bite—but we go to check out the peacocks strutting regally through the fields, or better yet, the neighborhood behind the stables, where white peacocks with 6-foot tail feathers roam yards and porches.

Every day the vision gets a little clearer of what the new Dallas Center for the Performing Arts will look like. Right now it's still a towering jumble of beams and cranes, but by fall 2009, the $338 million complex of state-of-the-art theaters and concert halls will be complete. The four venues: the Margot and Bill Winspear Opera House, Dee and Charles Wyly Theatre, Annette Strauss Artist Square and City Performance Hall. More than 600 performances a year are expected to draw audiences to the multilevel theaters that will provide new homes for five resident companies. The Dallas Opera and Texas Ballet Theater will perform in the Winspear, while the Dallas Theater Center, Dallas Black Dance Theatre and Anita N. Martinez Ballet Folklorico will perform in the Rem Koolhaas-designed, 12-story Wyly. Nonprofit TITAS will become the resident fine arts presenter at the DCPA, bringing performances of dance and music every season. Chasing that "world-class" moniker for years, Dallas may at last have a superb showcase for the arts.

Dallas Farmers Market

Technically, we suppose a metal embossed plaque on a near-empty shed in the Farmers Market isn't really a sculpture per se. Much the same way, a boulevard isn't an avenue and an online poll isn't the same, say, as casting a ballot in the city council elections. Nevertheless, we're going to bend the rules a bit—there's a lot of that going around—and give this award to the Chávez plaque, which honors the late labor leader's tireless efforts on behalf of impoverished farm workers everywhere. Dunno why, exactly, but there's just something about reading it that reminds us of home.

With his soothing voice, Paul Slavens sounds like your standard National Public Radio personality. But Slavens is so much more. He's a composer, an improv musical comedy genius (his Monday night residency onstage at Dan's Silverleaf in Denton is becoming legendary) and, best of all, a go-to source for locally produced songs and long-forgotten gems. He comes to his knowledge rightfully as the former frontman for the jazz-rock combo Ten Hand, an act that once graced the stages of Deep Ellum. But now that he's older and, um, balder, he remains entrenched in the local scene thanks to his calming, end-of-the-weekend, listen-and-let-the-world-slow-down-for-a-second radio show.

You go up and down the dial searching for something to listen to. A good song, maybe an interesting sports discussion or a breaking news item. And somehow you find yourself riveted to a discussion on infidelity or just a gaggle of dudes giggling away at one another for being stupid. You're listening to professionals paid to sound like amateurs. But. You. Can't. Stop. That's just how Live 105.3 seems to work. There's no music and no real platform behind the station's talk format (unless "guy talk" is a viable radio term). No real redeeming quality to any of it. And yet you listen, and you keep listening and before long, you've set the station as a preset on your car stereo. And now you don't listen to anything else. And you hate yourself for it, but you kind of enjoy it too.

Best Reason for Dallas to Own a Convention Center Hotel

Everyone Else Has One

Mayor Tom Leppert and the city council have spent much of 2008 moving forward with plans to build a $600 million, publicly funded convention center hotel. Most of the key decisions regarding the project, such as selecting the site, funding method and developer for the hotel, have taken place in executive session, with the taxpayers left in the dark. Leppert, along with the council and Dallas Visitors & Convention Bureau, have assured the public that this hotel will be a money maker for the city and is an essential tool to bring more convention business to Dallas, especially because everyone else has one. We think this is a great argument, as we used it often to get what we wanted when we were in third grade. If a referendum happens in the future, we can only hope the argument elevates to middle school level.

Best Reason to Buy a More Powerful Radio Antenna

Radio Salaam Namaste

If you're not much for sports talk or wingnut political commentary, your radio may have gathered dust recently. Well, the sounds of "Desi" await you on 2-year-old community station Radio Salaam Namaste. For variety, there's no other station offering anything like this—the best sounds and top news (in four languages) from India, Pakistan, Bangladesh, Nepal and Sri Lanka. We're not talking belly-dancing beats. It's a sound that's been copied by Shakira, Madonna and Missy Elliott. But this is the original stuff, straight from the sub-continental source. It's hard to pick up the station's signal outside of Irving, but you can listen live on the Intertubes.

The Public Trust

It hasn't been easy for artist Brian Gibb to move his Art Prostitute gallery—now called The Public Trust—from comfy confines down to the nitty-gritty of Deep Ellum. But Gibb is as committed to saving the neighborhood as the next guy; that's part of the reason he's there. And thanks to his efforts, Deep Ellum is becoming a new Williamsburg (Brooklyn), a gathering place for up-and-coming artists who have formed a loose-knit collective dedicated to building the local scene and putting it in the national spotlight. The work Gibb displays at the Public Trust is street-smart, subversive and oddly accessible to even the most neophyte art lover. There's an art to starting a forward-thinking movement like this.

Criminal District Judge John Creuzot has been a political prize for both parties since Dallas County woke up during the Reagan revolution in the mid-1980s and realized the courthouse was rife with partisan politics. Creuzot was originally appointed to the bench as a Democrat but had the survival instincts to jump ship in the mid-'80s, as did many Democratic judges coaxed to switch by Republican organizers and demographics. Creuzot's Republican street cred served him well, enabling him to hold onto his bench for several elections while he became one of the most innovative jurists this county has. He's implemented programs such as DIVERT court that provides addicts with alternatives to incarceration. A national voice in the drug court movement, he has recently been the creative force behind a kind of "Hookers Court," which tries to break the cycle of habitual prostitution. With the Democratic demographic shift in 2006, he again saw the handwriting on the wall. Facing accusations of opportunism, he is running as a Democrat in November and his party bosses couldn't be happier, seeing his flip-flop as a sign of the times. Of course, if McCain runs well in Dallas County and takes the bottom of the ticket with him, the Republicans will exact their own form of cosmic justice.

The Video Association of Dallas knows a lot about teamwork. Sure, it's easy for some folks to say they work best on their own, but nothing incites team building than a crazy-awesome movie contest that allows people to not only be on the big screen (you know you live for it), but also to finish their own freakin' film (even if it is five minutes long). Oh, and there's some talk about winning, but we all know it's for the team experience, not winning, right? This year around 100 teams participated in the VAD's seventh annual 24-Hour Video Race. The rules state that equipment (cameras, mikes, etc.) must be provided by the teams themselves. VAD only offers one mini-DVD tape to each team. It's a challenge made no less difficult by a required theme, location, prop and one line of dialogue. Teams must complete their entire entry (editing, musical score, credits, zany graphics and all) in 24 hours. It's a trying event that somehow makes everyone want to try.

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