The Belmont Hotel

If you take the Commerce Street bridge or Margaret Hunt Hill Bridge and head southward into Oak Cliff on Sylvan Avenue, you'll get a closeup look at the Sour Grapes Crew's handiwork on the Belmont Hotel's retaining wall, a long stretch of colorful art next to work by famed street artists Shepard Fairey and JM Rizzi. The Sour Grapes piece, fittingly, gets the most real estate. Done freestyle, it's a collection of anthropomorphized cartoon pyramids, paletas, humps and blobs with the word "DALLAS" contrasting in big white letters. It's brightly colored and feels childlike and fun yet with a bit of urban grit to it. In other words, it feels like the Oak Cliff you're about to enter.

Omni Dallas Hotel

Since it opened two years ago, the Omni in downtown Dallas has drawn nightly crowds to the spectacular light shows playing every night on more than one million LEDs in four miles of light bars stretched across the hotel's stunning boomerang-shaped glass exterior. But last year's "Expanded Video" show at the hotel, produced in conjunction with the 25th Annual Dallas VideoFest, was maybe even historic, featuring works like, "Orange You Glad I Didn't Say Knock-Knock" by Dallas street artist and gallery owner Frank Campagna — a riot of giant fruit flying all over the front of the hotel. Keep your eyes peeled, because it's supposed to happen again in October, and anybody who saw the first one will tell you not to miss it.

Clubhouse

The Clubhouse has the scuzzy yet welcoming feel of your favorite dive bar, pretty good music most of the time, and a diverse roster of talent offering something for just about every conceivable preference. The dancers actually, you know, dance, and the place has a feature that we thought was standard for strip clubs but is becoming increasingly scarce: a pole. The BYOB status doesn't just save you money on booze — it means it can stay open after 2 a.m. and that the ladies can show you everything, whether you want to see everything or not. Catered monthly customer appreciation parties, visits from touring musicians, a sincerely welcoming attitude to female patrons (straight or not) and the occasional appearance from Vinnie Paul Abbott himself (who cofounded the place with his brother and Pantera bandmate, the late "Dimebag" Darrell) make The Clubhouse a must-see.

One half of Dallas' most notorious outlaw pair found his final resting place in a ramshackle graveyard just across the road from a tortilla factory in Oak Cliff. The gate's always locked, but you may or may not be able to slip in through a gap. You'll find Clyde's grave in a corner, where someone seems to be keeping nightly watch. It's always covered with candles, flowers, liquor bottles and some half-spent cigarettes. At her family's request, Bonnie is buried worlds away, off Webb Chapel Road, in a much tidier and more reputable-looking cemetery. Tread lightly, and pour one out for Clyde.

The profile of Think host Krys Boyd in our 2013 People Issue got a sharply divided response from commenters online. According to them, Boyd is either one of the best hosts on radio — smart, well-prepped and gifted at drawing out her guests with incisive questions — or she's a dull cog in public radio's machine, churning out big piles of vanilla, liberal pap. We'll go with the former. What's best about Think is exactly what her detractors find so off-putting: In her non-confrontational interviews with authors on every topic imaginable, she guides her guests with sharp questions, helping them make their points or tell their stories clearly and deeply. Their ideas and passions are the star of the show, not Boyd. Think is more "point" than "point/counter-point," and Boyd leaves it to her listeners to, you know, think for themselves about subjects. Sure, it can be a little dull sometimes if you're not interested in what a particular author's selling, but the show's on every Monday through Thursday (noon-2 p.m.), so it always pays to check in. On any day, Boyd just might give you something to think about.

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